No way man. You simply think that because was the first record most of us here heard after SW produced BWP, and therefor the first we got into. Considering the record is their darkest it's also more appealing to people like us who like darker music.
Lips of Ashes, Gravity Eyelids, The Creator Has a Mastertape, and Strip the Soul. There's a lot of odd songs on there that take a while to catch on. Then there's the more depressing tracks like Heartattack in a Layby, and Collapse the Light into Earth. Sure Trains, and Sound of Muzak are catchy, but one's a downer song, the other is cynical. Like I said it's a lot darker album musically, and lyrically; not to mention the record is eclectic as hell. I got it when it came out, and unlike their other records I have to be in the right mood to listen to it. Deadwing on the other hand has huge choruses in practically all the songs. Shallow, Lazurus, Halo, Mellotron Scratch, Open Car, and The Start of Something Beautiful. These are catchy easy to listen to tunes. Then you have the laid back Glass Arm Shattering. Just because it has two songs that are more progressive in structure doesn't mean jack. Sure they're more progressive, but fairly straight forward otherwise, and not as peculiar as the IA recordings. Seriously think about it.