dude, shut the fuck up and read this:
Because of their huge debts, Helloween are afraid of not getting anything in, and so
they quickly release the following album "Chameleon" in early 1993, which sees the reunion with producer Tommy Hansen but is not successful at all.
Despite the pretty good production and overall song quality, it drives off a lot of Helloweens remaining fans, for few can accept the new music which now leans more towards AOR and mainstream rock, which is not how they expect Helloween to sound like. The poor performance on tour shows much of the tensions immanent in the band at that time. Before a gig in Japan, drummer Schwichtenberg collapses due to his misusing of drugs, and is replaced by session-drummer Richie Abdel-Nabi. Even worse, Helloween are fired by EMI.
1993
Michael Kiske, Roland Grapow, Markus Grosskopf, Richie Abdel-Nabi, Michael Weikath (from left to right)
After the end of the tour in December 1993, Abdel-Nabi is dismissed from his position for most of the band members think that he does not fit the position. Tensions grow worse and worse and two weeks before the studio for the next production is booked, Helloween fire Kiske, for the rest of the band is not willing to share a studio with him another time. Weikath calls Deris again to convince him to take the vacant spot. The band chemistry in Pink Cream 69 is rotten at that time, and since he thinks he will not steal someones job, Deris decides to take his chances. Shortly thereafter in January 1994, the band manages to hire Uli Kusch as the new drummer (ex-Axe La Chapelle/Gamma Ray) and signs to Castle Communications.
During the production of the next album, the new Helloween feel the urge to come at least close to what they were hailed for in the Keeper-Era, for the last album did only harm to the band. They know that if they do not have success with the new record, there will probably be no Helloween anymore.