VaticanInFlames
New Metal Member
- Aug 1, 2006
- 21
- 0
- 1
The Korg Triton that Per uses is a sonic beast capable of pumping out some serious soundscapes, and I wouldn't be suprised if Per was utilized in that capacity to change up the band's sound a bit. Leave the key-shredding to Dream Theatre..thats their territory imo. I enjoyed the ambient stuff in Watershed and personally think theres a lot more ground to cover there, considering how creative Mikael is. I would be stoked if Per went into full sound artist mode and played with a whole aresenal of gear, throwing in some Moog, maybe some really weird shit like using a reel-to-reel tape machine to make song cycles using cut up tapes of old obscure occult prose/original lyrical work to tell a story from within the music, mixed with ambient accents like classic Opeth guitar feedback manipulation. The song cycle concept would seem to lend itself well to a band like Opeth that tries to tell stories within their music. I trust they could easily pull off this kind of experimentation without it seeming "gimmicky", considering how seamlessley they encorporate so many areas of music into one, cohesive sound.Per, who i think will want to chip in a bit more this time around.
Of course none of this would flow without a healthy dose of headbang inducing riffage.