RiffBoy said:Opeth songs has almost always several instrumental parts built up by (i.e.) a riff that is repeated exactly 4 times.
(Then comes perhaps another riff, chord sequence or vocal part... again often repeated the same number of times.)
This is VERY typical of Opeth!
Later (newer) album songs has (partly) the same structure, but with the excellent difference that things are slightly changed, or parts are added, during the four repetitions.
The more varied these riffs/sequences are, the more you can appreciate that they are repeated four times.
But many early Opeth songs tend to become slightly booring when you sort of KNOW what'll come...
LadyValerie said:Good call. A nice example of that is Mendez' slap part in Blackwater Park. Repeated four times, but each time the ending if the lick is varied.
Fair enoughRiffBoy said:I can't agree since YOU started this thread asking us to break down and analyze their songwriting tecnique! Right?!
He even uses it (sectionwise) in the early song 'Mordet i grottan' (Sörskogen - band)...
prowlergrig said:again... repeating stuff 4 times is not a mike signature!
maybe opeth uses sequences of riffa x 4 , riffb x 4, riffc x 4 etc more consistently than other bands, but it's not an 'opeth thing'.
most opeth riffs are repeated a multiple of 4 times, try listening to a songprowlergrig said:again... repeating stuff 4 times is not a mike signature!
maybe opeth uses sequences of riffa x 4 , riffb x 4, riffc x 4 etc more consistently than other bands, but it's not an 'opeth thing'.
RiffBoy said:Ok, so tell me, can you name...lets say.. 3 songs where he DOESN'T repeat riffs/leads/sections in that 4x way..?
I bet you can't!![]()
no no, he said songs where the riffs aren't repeated 4x timesLadyValerie said:Face of Melinda, Deliverance, Beneath the Mire.
westknife said:no no, he said songs where the riffs aren't repeated 4x times