Einherjar86
Active Member
I feel like I made a mistake in tackling Badiou before reading Heidegger (though I'm taking a seminar on Being and Time with a Heidegger nut this fall, so this won't be an issue for long) because I feel like I need to understand Badiou's orientation in Heidegger's ontological scheme before I make any final judgments about his work. Nevertheless, I appreciate Badiou's "radical thesis" on the surface, but I have trouble swallowing it whole when he takes such extreme liberties with Plato and Spinoza (the latter of which he quotes partially for his own gain) and the seemingly arbitrary nature of his entire ontology. There was actually a pretty good co-authored by a mathematician and a professor of history/humanities published last summer that provides a critical refutation of Badiou's ontology. It's available on JSTOR iirc, though it's been a while since I've read it closely; and that was only once. With that being said, my stance on Badiou is always in flux.
I feel that Heidegger's "Origin of the Work of Art" is just as beneficial as his magnum opus, and can actually give even greater insight into some of his philosophical concepts. That said, one can benefit greatly from Being and Time, since it basically set the precedent for ontological exploration in the twentieth century, and hasn't really been successfully challenged until Badiou, in my opinion.
I'm still trying to wrap my brain around Badiou, although I find a lot of his statements very poignant, even if I don't entirely understand his exact point in making them. I also feel that, while Being and Event is certainly a challenge to Heidegger, it can't be fully understood without studying the German Idealist strain, particularly Kant's Critique of Pure Reason and Hegel's Science of Logic. I've been focusing more on those works in conjunction with Badiou.
Anyway, I'm going through my old Poe and Lovecraft favorites; straying from my normal habit of exclusively reading philosophy, science, and math. I'm going to make an effort to get around to the other preeminent weird/proto-weird fiction authors (Blackwood, Dunsany, Ashton Smith, etc.) as well as science fiction in general. I'm eternally incensed by the fact that academia seems to have a history of ignoring a genre that I consider just as fertile, if not more so, for philosophical discourse as the canonical Western "classics".
I feel the same way about science fiction, although it's gradually finding its place in academia. I actually took a class entirely on Philip K. Dick at UChicago, which was fantastic. And there are some great theoretical texts/anthologies that tackle science fiction, like Fredric Jameson's Archeologies of the Future, Bould's and Mieville's Red Planets: Marxism and Science Fiction, and Darko Suvin's work. I also hope to contribute to the study of this genre in my academic future...