1. Husbands (dir. John Cassavetes)
exhibit A of how high a god tier cast can elevate a movie.
2. Deep End (dir. Jerzy Skolimowski)
coming of age = coming of class. recommended to fans of Can.
3. Trash (dir. Paul Morrissey)
andy warhol garbage about an impotent junkie and a transvestite trying to get on welfare or whatever.
4. The Honeymoon Killers (dir. Leonard Kastle)
never thought i'd be happy scorsese got fired from a production, but idk if he could pull off a serial killer movie as simultaneously camp and twisted as this, with a main character who looks like the above.
5. Five Easy Pieces (dir. Bob Rafelson)
not the best new hollywood movie or even close, but maybe the definitive one? not the definitive jack performance or even close, but maybe the best one?
1971
1. McCabe & Mrs. Miller (dir. Robert Altman)
among the best looking american films of the past 50+ years, and the definitive post-western.
2. They Might Be Giants (dir. Anthony Harvey)
best sherlock holmes-related media ever.
3. Minnie and Moskowitz (dir. John Cassavetes)
the forgotten '70s cassavetes, for no good reason. it's his most romantic, in its own grimy fucked up way.
4. The Last Picture Show (dir. Peter Bogdanovich)
the most elegiac of small-town dramas; it begins as the whole world and ends as a graveyard.
5. The Hired Hand (dir. Peter Fonda)
an ambient western, tough and weary and tender. contains maybe my favourite female character in the whole genre.
1972
1. Aguirre: The Wrath of God (dir. Werner Herzog)
^me listening to arg's pick in the mixtape game.
2. The Godfather (dir. Francis Ford Coppola)
^me trying to think of something new to say about The Godfather.
3. Fat City (dir. John Huston)
always had a fascination with journeymen boxers; this is their movie, and it's brutal and sad as shit. top 3 huston.
4. Solaris (dir. Andrei Tarkovsky)
Vertigo in space. using the gimmicky gif 'cause it unsettles me lol.
5. The Bitter Tears of Petra Van Kant (dir. Rainer Werner Fassbinder)
power dynamics in the bedroom. ice cold and savage.