Fuck You & then some(beat that)
You fucking cockadoodle ketchup chip.
Fuck You & then some(beat that)
To put in simply, if you call death's later albums (specially TSOP) death metal you should call The Fragile Art Of Existence death metal as well. All the elements on both albums are exactly the same, the only change is bringing someone to the band who can actually sing.
Calling Focus, TJR, and The Gallery not DM isn't really too absurd.
Again, lets put this into context, people. In 1998, when TSOP was released, NO ONE had a problem calling this death metal. Anyone else remember differently, or were you even listening to metal back then? It is only revisionists that want to try to seem important and different, for the sake of it, to label this as anything other than death metal.
If TSOP is not death metal, neither is Focus, Unquestionable Presence, Testimony of the Ancients, The Gallery, The Jester Race, etc, which is quite absurd, no matter your tastes.
you answered your own question with your last sentence.
I really don't care about labels, it just struck me as funny that Deicidal started bitching about genre labels when before that he got all defensive when people told him Death's new stuff was not death metal.
Anyways, back to the point. How in the world if TSOP (musically speaking) is so far removed from death metal you can still call it death metal? hence my point earlier. Nobody in this world would be able to say Control Denied's album is death metal and keep a straight face. So let's be honest here, death's later albums have much more maidenisms in the music. It certainly has much more in common with straight up heavy metal than let's say Testimony Of The Ancients, Blessed Are The Sick or hell, even Unquestionable Presense.
Everything must be taken into context for its time, and not given a definition or categorization based on today's criteria.
Fair enough. I do concede that even Churck tried getting away from the death metal tag, but that was due more to trying to distance himself from what was, at the time, a stagnating genre that he helped create.
However, I say, for the third time (is it conveniently being ignored?) that when it was released over 10 years ago, everyone was calling TSOP death metal. No second guessing. Was anyone else listening to metal at that time? If not, read reviews of the album.
Everything must be taken into context for its time, and not given a definition or categorization based on today's criteria.
I don't think this applies to EVERYTHING, and sometimes not even to genre tags. Black Sabbath almost certainly weren't considered heavy metal when they first came out, as that wasn't really even a viable genre term iirc. They were probably considered rock 'n roll and even have a comp "double album" called We Sold Our Soul For Rock 'n Roll (awesome tape btw), but no one nowadays knows them as "rock 'n roll" if they are into metal. We know them as the originators/forerunners of pretty much both doom and traditional heavy metal. Context is very important in art, but you really can't just generically apply the above quote to all art because you'll run into problems like this one from time to time. I agree with it to an extent, but it's something you have to be careful about mentioning.
No.
Don't get me wrong, they're entertaining. But they're just comedy rock TBH.
Damn good comedy rock though. I mean really. Brendan from Home Movies, who is amazing on guitar, and Gene Hoglan, the "atomic clock".
I think this argument is silly since no-one in their right mind would consider any latter-day death among the best death metal albums