Liquid Diamonds said:
Well, to contribute my 2 cents...
Ulver are a great band. Kristoffer Rygg is a fantastic musical innovater, and lately has developed into a rather fine vocalist. In my opinion, 'Perdition City' slays their other releases (fucking INCREDIBLE chill-out record), but all of the other ones I own are good too. 'Blood Inside' is a little odd, but rewarding once you spend some time with it, 'Themes From William Blakes "The Marriage Of Heaven And Hell"' is fucking... I can't describe how infinitely awesome that record is musically. But Rygg's poor vox let it down (I almost think they should re-record the vox, it would be SOOO much better had he done it now). 'A Quick Fix Of Melancholy' is a likeable EP, with some interesting ideas, and a fucking awesome remake of a song from 'Kveldssanger', which is totally different but really really good (folky stuff, dead nice).
I don't own Bergtatt or Nattens Madrigal, but have heard both extensively. I think I may get the former, but the deliberately shitty production of the latter (how retarded is that btw? They were given the largest budget for a black metal album EVER, and chose to record on a FOUR TRACK and blew the rest on suits and a car :erk ) is too grainy for me to realistically estimate that I'll ever listen to it.
'Lychantropen Themes' is ok, but I'd only recommend it to a die-hard really. At least, get some of the other stuff first. Haven't had much of a chance to listen to 'Svidd Neger' or 'Teachings In Silence', but they sound good.
Am I missing anything?
No love for Kveldssanger (let's not bicker about the spelling.)? Even though the band has themselves called it immature, it's hard to look past that album as a staple in their discography. Overused though that word may be when talking Ulver - even the EPs id recommend in a heartbeat to anyone with but a passing interest in the band. Silence Teaches You How To Sing reminds me of a stereo searching through static, briefly finding incredible music, only to drift off again into nothingness. A Quick Fix on the other hand feels just that - a strangely gripping, yet short, affirmation of a new, more potent Ulver. The other two i have yet to purchase, but salivate already for them.
Themes really is one of their most interesting albums, if simply because it so is the band in transition. It is grand and incredibly ambitious; it is experimental and divisive; it is a garbled mix of styles; it is a coherent transcription of an already great work; it is straightforward rock; it is more than rock; it is less than rock. There are so many things you can say about the album, so may compliments you can pay it, so many critiques you can make of it, and overall, so many times you can play it. Ive no doubt that if they tried again they could do so much better (ie. i generally agree on the vocals), but i would not wish it. I love it in spite of it's fault and because of them.
And while i think of it, i thought that whole spending their money on suits and a car story was nonsense? Pardon the reference, but wikipedia agrees (
http://en.wikipedia.org/wiki/Ulver), though i do not know which source interviews it refers to. I as well have not taken to the BM releases like many do, though BM is not typically my genre of choice (enjoying that Bethlehem thanks Illdruit), but assume that given the fanboyism these releases inspire, the 'deliberately shitty production' worked well for them. Given their discography i am more inclined to believe the production values were intentional, and not 'shitty' as much as calculated.
Lastly ill just throw some earth on the fire in saying that Perdition City really does have a weak ending. Catalept followed by Nowhere/Catastrophe is not so much an anticlimax as an afterthought - the meat of the album has ended with The Future Sound Of Music, up to Dead City Centers a tasty dessert. After this it struggling to retain interest, a terrible shame considering the immense brilliance it shone with initially. It feels like the whole album has been this gloriously dark exploration of metaphorical city of sound, but they were worried that the slower students among us couldn't quite grasp this, so they had to dumb it down for the outro. Except make it happy, because people don't like sad endings. A tragedy, in my most humble of opinions (which is automatically greater than yours, because i said it).