Exocaster
Nozzle
- Aug 29, 2005
- 709
- 0
- 16
But I'm just curious, since so many people here prefer Dogman...what is it about it that you like so much?
Outside of the fact I really enjoy the songs...
- IMO, one of the best Recto sounds ever committed to tape. And with single coils, no less! The guitar tone on that album is fantastic.
- Doug's amazing distorted bass tone. Very unique, tons of bottom, but still clear.
- Drums that sound like a real drummer behind a real kit in a great sounding room. The sound of a kit as a cohesive instrument, not as separate pieces. Plus the room sound. If there's artificial 'verb, you could have fooled me.
A big part of what makes that album sound so good, besides quality tones, are the performances- great grooves, riffs and vocal harmonies, tight playing- and the rather sparse arrangements. Everything is dry and in your face, nothing steps on anything else in the mix because there's nothing for it to get in the way of. Guitars are one take a side, sometimes just one take period. The bass is full and distorted, and very high in the mix, but never muddy or gets in the way of the guitars.
That album's like 15 years old at this point, but it still holds up. It's a dry, natural sounding album- there's nothing on there production-wise that really dates it. It's not particularly polished, but it doesn't need to be. It's just the result of a very tight live band going in to the studio and throwing down pretty much how they do live. (With the exception of a couple percussion overdubs and some doubled rhythm guitar.) There's no mystery to it, just a tight band with good tone and good songs, recorded well, with arrangements that let everything sit where it belongs with a minimum of fuss. The album sounds great because the band does, and there's so little going on it's almost impossible to get wrong.