Arguing about music

speed said:
Well said Crimson Floyd, I totally agree, music is subjective. Yet I think we all can agree Opeth has added more to music and to nourishing those whom are musically inclined.
Sorry I just totally edited my last post, so yours doesn't make much sense now, but yes you are right (before I was comparing Opeth and Blink 182, but then I decided I wanted to take it to the philosphical level...)
 
It isn't entirely subjective. The genre progresses because of different bands' innovations. It is those innovations which make some bands better than other bands.
 
speed said:
Well Guardian i have some advice for you- become a professor, it is the only was you can totally validate that ego and megalomania of yours onto younger and lesser students who cannot fight back for fear of failure.

Two, I wouldnt go around talking like that, unless you are a really big dude, cuz i would get pissed off pretty damn quick if i was around you and i could care less if you are "right", I do care that you are an annoying arrogant little brat, who needs constant positive validation of your massive intelligence. Being smart, unless just ridiculously smart( which i dont think you are) means you should understand that this condescending behavior of yours is not tolerated in society, and one for ones own good should instead create a image or mask of humility, or be hated for the rest of ones life.
If you insist on proclaiming your intelligence, you probably aren't very intelligent.
 
Guardian of Darkness said:
It isn't entirely subjective. The genre progresses because of different bands' innovations. It is those innovations which make some bands better than other bands.
True, genres do progress because of inovative bands, but that doesn't make a innovative band definitivly better then a non innovative band. I mean I personally find Shape of Despair to be better then Skepticsism in the funeral doom genre, even though theres no doubt that Skepticsism is the more innovative band. I mean music is really just to subjective. We can't do a math formula like innovation+talent+passion+exicution=total score Music just isn't that cut and dry, most things are this way, so I feel most things in life are subjective, and its all just one person's opinion vs anothers.
 
Again I must be the enemy. Where is the research indicating the characteristics of "better" muisc? In the end, Slayer is no better than Brittney Spears.
 
crimsonfloyd said:
Does that make it worse though? Any halfwit can make a tuna sandwich, does that make it any worse then some fine French cusine? Not nessisarally.
Food is more reliant on aesthetic - that being the taste itself. The best-tasting tuna sandwich is probably the best artistically. Whereas the best-sounding music is only best-sounding once you've delved under the surface, realising how they've used aesthetic to express the emotion, ideas and spirit of their ideology. I liked music 6 months ago which I now realise is worthless as art. Sure, a lot of it is fun, but none of it has real value.

Most people don't listen to music as 'art', they listen purely for aesthetics. These people can't pretend that they're knowledgable on the quality of music as an artform, because they're not.
 
Guardian of Darkness said:
Food is more reliant on aesthetic - that being the taste itself. The best-tasting tuna sandwich is probably the best artistically. Whereas the best-sounding music is only best-sounding once you've delved under the surface, realising how they've used aesthetic to express the emotion, ideas and spirit of their ideology. I liked music 6 months ago which I now realise is worthless as art. Sure, a lot of it is fun, but none of it has real value.

Most people don't listen to music as 'art', they listen purely for aesthetics. These people can't pretend that they're knowledgable on the quality of music as an artform, because they're not.
Well, no. Lets say that the chef who makes the French cusine is absoultly passionate about cooking. It is an artform to him, and I'm not bullshiting here, plenty of chefs consider their food to be art. They put their heart and soul into making that food, making look perfect, and I mean these things look beautful and hours have been put into it. Ok lets say they are the Opeth's of food, far better techinally and more passion has been put into their creation. Still, pherhaps I can make a tuna sandwich which tastes even better to me, and I assure you i didn't put much time, effort or creativity into it, its the Blink 182 of food. So yes food can be looked at for art, and there is therefore by your way of looking at things people with good and bad tastes in food. Maybe your just not smart enough to understand good food ;)
 
crimsonfloyd said:
Well, no. Lets say that the chef who makes the French cusine is absoultly passionate about cooking. It is an artform to him, and I'm not bullshiting here, plenty of chefs consider their food to be art. They put their heart and soul into making that food, making look perfect, and I mean these things look beautful and hours have been put into it. Ok lets say they are the Opeth's of food, far better techinally and more passion has been put into their creation. Still, pherhaps I can make a tuna sandwich which tastes even better to me, and I assure you i didn't put much time, effort or creativity into it, its the Blink 182 of food. So yes food can be looked at for art, and there is therefore by your way of looking at things people with good and bad tastes in food. Maybe your just not smart enough to understand good food ;)
But a knowledgable, experienced taster will NOT like your 'Blink 182 of food' because it shows no innovative ideas.

I don't pretend to be an expert on food, either. :err:
 
Guardian of Darkness said:
....once you've delved under the surface, realising how they've used aesthetic to express the emotion, ideas and spirit of their ideology. I liked music 6 months ago which I now realise is worthless as art. Sure, a lot of it is fun, but none of it has real value.
thing is though you are limiting yourself on just how you yourself view music as art, and don't seem to realize that it can be interpreted as art in infinitely different ways. its almost as if you've learned a little lesson from Planetary Eulogy or anus.com on "how to view music as art 101".... if you want to view it in your ways (their ways, basically)(example: the innovation, or "realising how they've used aesthetic to express the emotion, ideas and spirit of their ideology", etc, whatever you feel makes it art....) then it is superior music to yourself, and your beliefs only. Example, going back to food as a comparison, if I wanted to say that it is "the amount of nutrition in something relative to the quality of the taste" that would make the superior food, then I would be correct on what i feel are superior foods: it is the superior food in my views, and my views only. Another person would view food as superior only to the amount of taste, and the best tasting food would be in fact superior to them. And same can go with maybe the visual quality of the food for others, etc.... What I am saying, is different people can interpret music as art in different ways, and there is no "right" way, which you and similar people think so. You have your own ideas, I have mine.

Guardian of Darkness said:
Most people don't listen to music as 'art', they listen purely for aesthetics. These people can't pretend that they're knowledgable on the quality of music as an artform, because they're not.
Once again this is limiting the possibilites. "Art" is a very general word that can relate to however one views the music as so: whether it be the aesthetics or whether concerning themselves with the history or the ideology of the composer, etc.... in fact, aesthetics basically are part of "Art", taken from dictionary.com: art: "The conscious production or arrangement of sounds, colors, forms, movements, or other elements in a manner that affects the sense of beauty, specifically the production of the beautiful in a graphic or plastic medium.".I consider whatever I listen to as art. The most important part of music to me is not whether it is non-derivative, or innovative, whatever you want to think, etc.... but how it affects me in a personal manner. I find music to be a catalyst for many different emotions and thoughts, whether I want to listen to something simple and upbeat, or when I want to hear something of the exact opposite. All music affects me in different ways and I am constantly exploring all these possibities.

That, to me, is how I consider music art. It is not the only way. It is not the correct way. You simply cannot pigeonhole what music and art is exactly, which you try to do. Other people want to see music as art in different ways, no way is wrong, none superior, and you have to learn that. If you claim to be so "intelligent" then you would.
 
I listen to a lot of non-metal, whatever sounds good to me, I listen to. I just like stuff that takes talent, whether it be good lyrics, skillfull musicianship, or just stuff that strays away from the norm in a well crafted manner.
 
To analyse art, you must take EVERYTHING into account. Every riff, every blotch of cover art, everything. Then it needs to be based on a template. The template has to take into account the ideology and aesthetic, it has to show what the genre is SUPPOSED to be doing. There is nothing subjective about how a genre progresses. It is factual. We also have classical music which is very much linked to black and death metal. The development of classical music can provide insight for that template.

It's all abstract. Not provable. But those who know everything about the way metal has developed, may analyse art as objectively as possible, even from a subjective basis.

People who listen to music simply because it is aurally pleasing, are surely listening to it on the basic level. To analyse art successfully, one must delve into the soul of the music and capture its essence.

The driving force behind music is ideology - since music is a representation of the creator, and the creator will pour himself into his music - so the portrayal of this ideology has to be important when analysing quality of art. Bands that develop a genre are always driven by ideology.

These are just examples of why some ways of analysing art are better than others. Sure, it's all opinion. But is it really? Black Metal might have died already if elitists hadn't carried it along as an anti-Judeo Christian artform, taking into account all the relevant things which have driven the genre in the past (as well as classical music). I dislike stagnation. People who listen to music without taking ideology into account, are encouraging stagnation within metal. Most people do this.

Music is the language of this ideology, much like English is the language of England. Can you prove that the word 'dog' means dog? No, nor can you prove that the music represents a particular ideology. However, those who are experts on the ideologies, not to mention music itself, are much more likely to be able to sense the music for what it is.

It's late, I'm tired, some of that may not make sense. I'll correct it tomorrow if it doesn't.
 
Guardian of Darkness said:
To analyse art, you must take EVERYTHING into account. Every riff, every blotch of cover art, everything. Then it needs to be based on a template. The template has to take into account the ideology and aesthetic, it has to show what the genre is SUPPOSED to be doing. There is nothing subjective about how a genre progresses. It is factual. We also have classical music which is very much linked to black and death metal. The development of classical music can provide insight for that template.

It's all abstract. Not provable. But those who know everything about the way metal has developed, may analyse art as objectively as possible, even from a subjective basis.

People who listen to music simply because it is aurally pleasing, are surely listening to it on the basic level. To analyse art successfully, one must delve into the soul of the music and capture its essence.

The driving force behind music is ideology - since music is a representation of the creator, and the creator will pour himself into his music - so the portrayal of this ideology has to be important when analysing quality of art. Bands that develop a genre are always driven by ideology.

These are just examples of why some ways of analysing art are better than others. Sure, it's all opinion. But is it really? Black Metal might have died already if elitists hadn't carried it along as an anti-Judeo Christian artform, taking into account all the relevant things which have driven the genre in the past (as well as classical music). I dislike stagnation. People who listen to music without taking ideology into account, are encouraging stagnation within metal. Most people do this.

Music is the language of this ideology, much like English is the language of England. Can you prove that the word 'dog' means dog? No, nor can you prove that the music represents a particular ideology. However, those who are experts on the ideologies, not to mention music itself, are much more likely to be able to sense the music for what it is.

It's late, I'm tired, some of that may not make sense. I'll correct it tomorrow if it doesn't.
Oh come one ideology is the example of stagnation in metal... Anti -Christianity come on... People listening for aural aesthetic satisfaction to me appear more intelligent than the former.
 
If they were all saying exactly the same thing, they'd be playing exactly the same music. Every person in a black metal band is at least somewhat different, therefore their ideologies are also somewhat different. Art is an expression of its creator, and if a creator values an ideology (which he/she always does, whether it's anti-Christianity, or pro sheep-fucking), the music will be an expression of this. This can be ignored, but it's still there, and when you're taking all aspects of art into account (which you must to properly analyse it), it's necessary to think about ideology. On a basic level they're opposing Judeo-Christianity, but this can be done in many different ways, whether they're capturing the spirit of ancient Pagan Gods, or NS, or using Satan as a symbolic concept. BM is the closest we have in modern day to ancient classical music, in terms of spirit and composition.
 
Maybe I need to put my Scarlatti cd back in the changer as I do not see the connection to "ancient classical" (which I will interpret as baroque). What are these similarities?