Duvall
Ia!
It took a few listens for me to sink in.. I've been listening to a (shhh) burned copy for a couple weeks - my copy arrived last night from The End (damn you ground shipping to Canada!) - and I'll give it a listen on my stereo tonight.
I don't think the acoustic passages on Deliverance have the impact of those on Still Life (mind you, BWP's were on about the same level as the new ones). The heavier work still maintains that emotion and drive. Maybe that's my only complaint - but I don't know as much about production as people who've recorded their own..
On a positive note, the heaviness REALLY appeals to me all around - and some of the guitar work hearkens back to the Orchid/Morningrise days. The songs still have a storylike structure, they build until the solo at the climax - each one having its own intricacies and moods.
GODDAMN.. the solo in Master's Apprentices is phenomenal. Can't get enough of this music - so full of ART, INTEGRITY, TALENT and SOUL.
without that.. it's just noise. Better off tuning out.
I don't think the acoustic passages on Deliverance have the impact of those on Still Life (mind you, BWP's were on about the same level as the new ones). The heavier work still maintains that emotion and drive. Maybe that's my only complaint - but I don't know as much about production as people who've recorded their own..
On a positive note, the heaviness REALLY appeals to me all around - and some of the guitar work hearkens back to the Orchid/Morningrise days. The songs still have a storylike structure, they build until the solo at the climax - each one having its own intricacies and moods.
GODDAMN.. the solo in Master's Apprentices is phenomenal. Can't get enough of this music - so full of ART, INTEGRITY, TALENT and SOUL.
without that.. it's just noise. Better off tuning out.