children of COB
Deadnight Drinker
IIRC there was one, but as there were only a couple of drummers around, they just ended up here,
same with my ideas. I'm better when I'm alone. I actually got a really cool melodic idea the other day while petting my cat went to the guitar, and figured it out right away, THEN tabbed it on GP.Me too! The cool stuff enters my mind when I'm alone, especially when I don't have a guitar in my hands (often on the toilet or while taking a shower )
But I have a new band for 3 or 4 weeks and it's a bit different. We wrote some cool melodies together and I never experienced this with a band before. I hope that I can show you people some recordings in a few months (they wouldn't appreciate it if I showed my recorded stuff here before it's "official").
But all in all, I'm not a teamworker, at least when it comes to the basic ideas.
Cool, look forward to hearing it. I mainly just find a riff/progression while playing guitar, then put it in GP and the rest of the song is done from there... without touching the guitar again
Yeah, i do it in a similar way. I write it out on guitar pro when i come up with it, and then try to play it on guitar, but most of it is written without the guitar.
I don't see how you guys can do that. I mean, I know it's not wrong, but it just feels wrong to me. I feel like all the riffs and ideas should come straight out onto the guitar (even if it comes in your mind first) and then be transferred to GP for practicing purposes or whatever. It shouldn't be the other way around (figuring it out on GP and then transferring it onto the guitar to learn it).
I know what you mean, although I'm actually probably the same as them (writing stuff without the guitar). Although I wasn't really able to until I learned a bit of basic music theory (first year stuff). Perhaps it depends on that a bit (not saying you don't know theory ), and maybe also your musical background (how long you've been playing guitar, and how used to it you are).
Jeff Loomis with his new ENGL, sounds great and has tight bottom-end to his tone.
http://www.youtube.com/watch?v=uOPxRoTjRVE
These clips are from a Nevermore gig in Seattle a few days ago. Its just Jeff, so the overall sound of the band is really lacking. Escpecially in the Narcosynthesis vid, sounds like it is just him jamming with Van (drummer)
Hey guys, sup?
Yo Mick, awesome playing dude, do you think it might be possible for you to tab this riff for me? As I'm just doing sweep picking it'd be very helpful for me, ktxhnbai...
On the other side I want to spray paint my dimavery, have you guys any experiences with it? Hints would be welcome too...(I'm also planning on removing the floyd and the original mechanics from it and it replace it with some gold hardware...)
I don't see how you guys can do that. I mean, I know it's not wrong, but it just feels wrong to me. I feel like all the riffs and ideas should come straight out onto the guitar (even if it comes in your mind first) and then be transferred to GP for practicing purposes or whatever. It shouldn't be the other way around (figuring it out on GP and then transferring it onto the guitar to learn it).
Yeah I see what you mean. Like some people are so advanced on guitar, they can "hear" the note by just looking at a particular fret. But that takes a looot of experience with the instrument, unless you are some sort of musical genius. I know theory also, and I can do as you guys do, write out a song on GP completely independent of the guitar. But again, I don't like how that works/feels. I'd rather express it on the instrument first.
The guitar is just an instrument to actually make the music, which means it shouldn't matter what instrument you compose on (if any), as long as you can play it when it's time to record, which i for one can.
Alot of classical composers wrote out stuff without playing an instrument while composing.
What i've noticed is that if you try composing by just improvising riffs, you eventually just get the same shit all the time, because that's what you're used to playing. Where as on the other hand, if you hear the music in your head, you can get alot of different ideas, even un-guitaristic ideas, which can really turn out to be something cool.
It does in fact matter which instrument you compose on, because certain instruments have features others don't. For example, if you're writing a piece for piano, can you bend on it? do a vibrato on it? This is what makes each instrument unique. So different instrument = different possibilities of expression.
Anyways, when you actually have the instrument in your hands, it's much easier to express yourself and let the music come out. And even if the music is already in your head first, then by getting it down on the instrument first, you allow yourself more creativity than just tabbing on GP and trying to experiment by clicking the vibrato effect or whatever.
so you write out the un-guitarisitic ideas out on GP, as you are forced to do anyway I really doubt that improvising riffs all the time will lead to the same shit...I mean, look at bands in the "old" days...they didn't have a fuckin GP on their computer. Even Alexi still gets his ideas down on a real 4 track thing.
What i'm trying to say is that if try to play a riff that comes from your fingers instead of your mind, you'll end up with what your muscle memory has been taught to play.
It does in fact matter which instrument you compose on, because certain instruments have features others don't. For example, if you're writing a piece for piano, can you bend on it? do a vibrato on it? This is what makes each instrument unique. So different instrument = different possibilities of expression.
I know that classical composers didn't write their stuff out directly on the instrument, but that's because a lot of them had to write for MANY instruments e.g. 1st violin, 2nd violin, cello, piano, etc.
Anyways, when you actually have the instrument in your hands, it's much easier to express yourself and let the music come out. And even if the music is already in your head first, then by getting it down on the instrument first, you allow yourself more creativity than just tabbing on GP and trying to experiment by clicking the vibrato effect or whatever.
so you write out the un-guitarisitic ideas out on GP, as you are forced to do anyway I really doubt that improvising riffs all the time will lead to the same shit...I mean, look at bands in the "old" days...they didn't have a fuckin GP on their computer. Even Alexi still gets his ideas down on a real 4 track thing.