Originally posted by Yngvai X
I think this new song has really shown how SyX fans are in one of three camps
1. The ones listening because they like the progressive side
2. The ones listening because they like the metal side
3. The ones who like both, and doesnt matter how metal or how prog it is
You know, the more I think about this, the more "sense" it makes. Sort of. I'm definitely under your third category--probably because I like "music" in general, and any style appeals. It's not really the artistry that counts; it's the yearning to be creative. Sure, there are some offensive lyrics that I might not see eye-to-eye with, but the style of creation in spirit is still the same.
For this reason I'll always like anything SX releases because their level of creative musicianship is phenomenal. It's very rare for an American band to create music of this ... integrity, passion, and excitement. I have the distinct feeling the guys in SX /enjoy/ doing it, and that's great.
I fall into the 3rd one, though I think these days Im much more of a powermetal fan than any other kind of metal. Plus, since a good 80% or so of all their songs sound basically like powermetal with odd time sigs I do tend to think of them as more of a power/symphonic metal band than a progressive band. I mean, you can't really say having big choirs or orchestral arrangements is a prog aspect only, if that were the case, then Rhapsody and Blind Guardian would be progressive metal. And its not really the odd time signatures cause then Meshuggah would be the KINGS of prog lol.
Sure, you're certainly entitled to think that. Genres and styles created and perpetuated by labels and fans, not to mention mass media, have all contributed to the confusion. I prefer to think of it all as "music." Now I enjoy all the bands you've mentioned, and certainly there is an aspect or two that Rhapsody brings to mind more so than Meshuggah. Does that make any one of them "better?" IMO, hardly. For instance, one of my favorite bands is Opeth, due to their incredible musicianship. They're also very cool guys. They have your typical death metal cookie monster growling, but they also have your acoustic, and perhaps more jazzy, sections with clean vocals in an amazing delivery. Even Cannibal Corpse, who I'm not a big fan of, can even be considered "good" musicians (although I hesitate to choose them readily over Opeth--in fact, I wouldn't). Or take a band like Cynic [or Portal]...technical metal, death vocals, jazzy improvisation (well, nothing like Jaco, but still darned good!) [or clean vocals and more ambience]...all of it blended superbly.
To me, when I think of progressive stuff, I think of longer multi-movement songs with themes that are elaborated on, an eclectic mix of styles (which is why I hate the term progressive metal...because thats doing something that goes against what I believe to be an aspect of being progressive in the first place; by calling it metal you're kind of eliminating the possibility of doing non heavy stuff), doing stuff that sounds like 70s prog bands, and of course, the trait Dream Theater seems to have taken a liking to on recent efforts, trying to sound as "technical" as possible with riffs that just seem to be a jumble of notes played in the oddest time signatures you can find.
IMO there's no real definition for "progressive" music...almost anything's progressive since it /all/ borrows at will. Referring to "progressive rock," however, the hallmarks are easily King Crimson, ELP, Saga, Gentle Giant, Genesis, Camel, Tull, Yes, etc., etc. Some of them were plenty "heavy." Certainly using the categorization "metal" tends to imply a certain amount of heaviness or distorted whatever, but the two aren't mutually exclusive.
To my ears, SyX only has the first and 3rd traits I listed above (if you haven't I STRONGLY suggest checking out Kansas. Symphony X sounds *A LOT* like them). SyX doesn't really stray from the "neoclassical" metal side of the musical spectrum (whereas in a band like Dream Theater on one album you can hear everything from jazz to blues to pop influences), and (thankfully) they don't really do the "look at me Im being TECHNICAL!! WOO!!" thing (coughdanceofeternitycough).
I rather enjoy the technical aspect as well. Sure, it's great to have incredible songsmithing--ala Sarah Slean, Tim & Jeff Buckley, Tori Amos, Radiohead, Coldplay, Tool, Cog--but mastery of one's instrument surely doesn't detract. I suppose it all comes down to preference...I just like hearing what and how people create the music they love.
If I must use the term "prog metal" I think the best band right now that would fit that description (in my book at least) is Pain of Salvation. I think they use all the aspects of what makes one "progressive" in a really thoughtful and well constructed way.
Or Vanden Plas or Katatonia. Or any of a few hundred other bands that are incredible.
Again all this is just my opinion. The bottom line is, after all, if it sounds good to you, then listen. If it doesnt, then dont. Though I do think its kind of silly for people to be judging the band's direction for this album on ONE song. I have heard a promo copy of the album and I can assure you, there are plenty of more symphonic moments on the CD. And if you're wondering where all the keyboards went...they're on Awakenings .
Funny that you say that...I just finished it.