ESA1996
Active Member
Yeah, I know you like atmosphere. Don't see how one could read this forum for over five years without learning thatOne thing I notice is...
Most of bassists who try some improvising solo shit sound absolutely uninspired, melodiless and bland, just slapping and popping all kinds of stupid noises, just chaos.
Then I find some individuals presenting an atmospheric solo, with emotion. Usually downright depressing emotion, but sometimes happy or even mysterious.
I'm thinking what the fuck to practice, maybe one thing could be just trying to come up with atmospheric stuff from the scale I'm using, possibly even doing things inside chords. As you might probably know I'm more of a atmosphere guy instead of technique guy when it comes to music. So at this point I approach the idea of personal style as emotional, not technical.
Maybe one finds his personal emotion? Or can one do different emotions?
Usually shit I've come up with is mysterious, beautiful but depressive as fuck, like it makes even myself feel horrible, but I still haven't figured my true voice when it comes to that.

Evil/Dark/Spooky/Mysterious and Happy/Cheery are emotions that one can do relatively easily by picking the right scale. Diminished, Harmonic Minor (And all it's modes. Especially Phygriant Dominant 5th (Natural minor with b2 and #3)), and Locrian generally work great for the former group. Major scales work for the latter. Emotions like sad, lonely and heroic are IMO far harder to pull off as they don't have a scale "dedicated" to them (My own term). What I mean by that is that a melody played in a Major scale will sound happy 90% of the time whereas a melody played in Phygrian Dominant 5th will sound some variation of evil 90% of the time. Thus I would describe them as scales "dedicated" to a certain emotion. Natural minor is supposed to sound sad but to me it sounds mostly neutral. It is IMO the most versatile scale in terms of emotions though. It is harder to make atmospheric stuff with it but it can IMO do more different emotions than a Major scale or any of the "evil" scales (Such as the aforementioned sad, lonely and heroic).
Everyone has their own style when composing true. When I compose without aiming for any certain emotion I tend to end up with heroic, sad or lonely "Flying Over the Mountains" melodies as my friends call them. Occasionally I come up with some folk melodies, thrash riffs or other stuff that I'd categorize as a mix of doom metal and black metal (Really dark but pretty slow).