Mort Divine
Shrine Maiden of the In-Crowd
Treblinka is black metal, but Sumerian Cry through Clouds is death metal. Admitedly it has a very black metal feel to it but musicially it IS death metal.
Good post. I think your point about the differing forum populations is a good one. It just so happens that this one is very old school oriented.I think the best of the 2nd wave is covered here for sure. These releases are definitely in no danger of being forgotten. They are well documented on other sites and forums, and even stuff, like Kvist, that never made a big splash, is certainly more recognized now than a few years ago. Labels continue to try to rerelease the old OOPs, and sometimes forgotten tracks resurface. Metal fans worldwide have certainly taken care to preserve the legacy of that pre-digital music age. A few things inevitably slip through the cracks, but the situation is generally good.
What I am concerned about is that the best of black metal from 97-07 is never put on equal footing, and the poor signal-to-noise ratio has made it difficult to find standouts. I can't accept that the mental facilities required to create good black metal have disappeared from the human consciousness. There must be more great albums out there. Fairly often, people show up and say that they do not get Hvis Lyset Tar Oss, and they are told to keep listening to it. Then after 5 or 10 listens they get it. I wonder how many great albums were lost in the last 10 years because no one told people to keep listening to them. It's hard to believe that at a time when it has never been easier for a band that's good to record music and expose it to millions of people, that so few make it into the evoked set. For every Forgotten Legends or Genevieve, are there really 2000 total duds?
Maybe my perspective is badly skewed by message boards. If 10 people know and like a band and are somewhat vocal about it, then that's a popular band. Even if 5 or so speak up about something, it appears there's an actual following. And if 0 of the 50 or so regulars know a band, then it doesn't exist. Such small samples can be dangerous. Good luck finding bigger samples in the real world though.
Check out Hail - Inheritance Of Evilness. It's essentially an amalgamation of Drawing Down The Moon and His Majesty At The Swamp encased within the twisted mind of a fucked up Finn.
http://www.thebasar.org/MP3/War_Must_Go_On.mp3
http://www.thebasar.org/MP3/Barbaryan_(Finland).mp3
Check out Hail - Inheritance Of Evilness. It's essentially an amalgamation of Drawing Down The Moon and His Majesty At The Swamp encased within the twisted mind of a fucked up Finn.
http://www.thebasar.org/MP3/War_Must_Go_On.mp3
http://www.thebasar.org/MP3/Barbaryan_(Finland).mp3
I'm not arguing that the current era is better, but that the best music of the past 10 years is not appropriately credited most of the time. Part of the problem is the wild disagreement as to what the best, most relevant BM of the present actually is. Bands like Alcest, Xasthur, Nachtmystium, Leviathan, and even the last DsO, are extremely polarizing, in a way that almost nothing from the 2nd wave is. Is it just a matter of time before opinions are sorted out? If enough people with taste like something, it eventually is accepted to be good, so that people will say "This album just isn't my style" instead of "This album sucks" if they happen to not like it.Well there's also the matter of the duplicate rarely ever matching the quality of the original. And there's also the matter that a lot of people here simply prefer the style of this period, and the bands of today that they like tend to be the bands that come close to this style. That era was better.
It became a total non-issue with Velvet Cacoon's Genevieve, which in spite of all the non-musical associations, is a brilliant album.
Horde - Hellig Usvart