Opinions on Martin Lopez

Everyone's view on Lopez will vary with each person; it's all subjective anyhow. However, that doesn't mean that a more technically sufficient drummer can't be identified.

I see Lopez as a competent drummer with the following: precision, rhythm, speed, and feel. 'Feel', being the most signicant quality that any drummer, or musician for that matter, could hope to obtain.
However, that is the only positive merit, that I see, he might have over other drummers. I think he fits Opeth's style like a glove; their rhythm section would have quite a void with his absence. But I believe him to be vastly overrated among the legion of Opeth fans.

Technically, he's on par with Sean Reinert? Not quite. :) Reinert was one of the better all-around drummers, well when he played metal. While Martin, to some small degree, be a multifarious drummer, he couldn't keep up with Reinert. As he couldn't keep up with quite a few drummers in the metal realm.
 
Guitarmaster said:
Technically, he's on par with Sean Reinert? Not quite. :) Reinert was one of the better all-around drummers, well when he played metal. While Martin, to some small degree, be a multifarious drummer, he couldn't keep up with Reinert. As he couldn't keep up with quite a few drummers in the metal realm.

How do you know he couldn't keep up?
 
Having played drums for years(but not in about the last 8), I pay particular attention to the drummer for any band. IMO, Lopez has something that makes him special...a unique style. Of course there are many drummers I'm not real familiar with yet, but to this point I'm really impressed with his diversity and the unique fills he does.

I also look at what kind of background they may have leading them into metal. Nobody ever mentions Mark Zonder from Fates Warning(formerly now)...the guy is phenominal technically, especially his cymbal work. There's always the comparisons and arguements about him vs. Portnoy(not gonna go there). But you can listen to Zonders work on Jim Matheos solo projects(classical/jazz) and see where he came from...a very competent jazz drummer. He shows his flash much more of course with FW, but this is the comparison to Lopez. He is a great jazz style drummer as is seen and heard on "Damnation"...and has the versatility to go crazy on the heavy stuff while still utilizing the jazz feel in his fills and transitions.

Lombardo from Slayer was like that IMO, except he never really played anything slow or jazz like(that I've heard yet). But you could tell that he can do whatever he wants to behind the set.

Just my 2 cents...Seth
 
Lopez's syle in Opeth is so understated, it's hard to me to gauge just how capable he is as a drummer. However, I will say that he actually cares about creating a groove with his drumming, while other metal drummers care about creating intrusive drum patterns that does nothing to join the seperate instrumental entities into one whole sound.
 
I'm so glad a thread like this came along!! I'm a drummer for one year now, Lopez + Portnoy are my favorite, yeayea whatever.

I wrote for like a half hour about how I feel but then my computer randomly restarted and I lost it all, I was pretty pissed off.

I can't decide who is my favorite out of these two. They have different styles, as all drummers do pretty much. My style is half of these two. I started playing in November '03 and since then all I did was try to play along to Opeth and Dream Theater albums. The first 3-4 months was all Opeth, it seemed easier for a beginner to keep the pace, which it is. You know, no crazy time signatures all over. Around 7 months I started to move into Dream Theater. Now, mind you a year before I started playing the drums I was into metal and listening to all of the songs, eventually memorizing drum fills beats, time sigs. I started off with Scenes From A Memory and it took about 3 months until I could play it, but now I can. I am still learning new Portnoy and Lopez songs.

I'm not saying i'm better than them, not even close. I am still a beginner and there is much I don't know about the drums. My skills need to improve. I need some better chops, and my double bass is not where Lopez's is. It really pisses me off and I get so depressed some days when i can't play it. My normal schedule for playing is about 20+ hours a week behind the kit. I have a 9 piece Yamaha Stage Custom Double bass set-up. 3 crashes, and my 18" AAX is cracking, my sabian 10" AAX splash just cracked.. and I have no money to buy more cymbals. But anyway;

I'd like to see some more Hi-hat work from Lopez, to be honest with you. I think about what he's doing every day, if he's playing at home, practicing, writing, etc. Another thing about Lopez, he is so dark and undiscovered. The only thing for his fans to really do is read his posts on here, which is not many, and Lamentations, which is not enough! There's so many questions that haven't been asked, and so many people who want to know more about him, like me. I'm sure there are many others.

I really think Lopez beats Portnoy with feet abilities. When Portnoy plays fast, it's not as clean as Lopez's. I mean, the un-triggered end of Blackwater Park the track is unbelieveable. I can PLAY it but it's not loud like 16th notes are and it reallllly pissed me off, I'M GETTING SO ANGRY TALKING ABOUT IT! It really sucks having only been drumming a year and not knowning about techniques/styles, what's right for me. I'm 6'0" and i'm skinny, i think that's a setback in terms of speed. Most drummers I see are stockier and more filled out. I keep thinking it's my leg muscles that don't allow me to go fast + loud. Because my mind is sending the perfect messages to my legs to move but they just can't keep up with my mind, It's so bad. I see all these other drummers like my friend Mike (a real life friend, not Portnoy) flying and it's audible.

Well anyway, that's where I think Lopez has Portnoy. Portnoy fights back with his more polyrhythmic style. Songs like The Dance of Eternity just let me know how inferior I am in almost every way. Songs like Deliverance, Wreath, many more let me know I suck.

The Lopez Vs. Portnoy I could go on forever. I'll stop here and feed off of you guys.
 
Portnoy is a piece of shit, Jesus Christ he is so over rated, everyone always puts him in the list of so called elite drummers, he's a fuckin turd who thinks hes top dog. His attitude is fuckin atrocious, and he can't touch drummers like Bozzio, Carey, and Weckle. As for Lopez, to me he is the most subtly amazing drummer in Metal, the stuff he pulls off is often overlooked but he kind of takes a humble and musical approach to his writing, and he excels at doing it. Especially his stuff on MAYH, which is by far his best work, have you people ever sat down and tried to play that, its very challenging to keep on the mark even though it doesnt sound it.
 
coolsnow7 said:
Umm...you're fucking joking right? Are you and I thinking of the same person? (played with Death for Human, Cynic for Focus)

Yeah, I still think Lopez is pretty close to Reinert. His work on Human only strikes me as great in a few places, most notably on Secret Face. I haven't listened a ton to Focus, but it never stood out too much to me.
 
Darfus, if you've only been playing for 1 year...I'm impressed if you can play what you say you can. Especially setting your sights so high with those drummers. BTW Minion, Portnoy regardless of his shitty attitude is a great drummer. Overrated, maybe...but most drummers will testify to his abilities.

The double bass can give you breakdowns...my problem was the obvious always speeding up while trying to maintain a steady speed. That's just straight dbl bass...trying to do the fancy stuff is harder. Don't know if you can, but if you're really serious...20+ hours isn't enough. The 2 friends I had that were excellent drummers played every minute they weren't in school or working. I would guess 35-40 a week...that's why I never got that good, didn't have the time or drive. As far as size, I don't think it matters...my friends were of both sizes you mentioned. The shorter one was the speed/thrash guy while the taller was the Portnoy style. They could each play the other style effectively though.

Good luck and keep working at it.

Seth
 
Seth'Peth said:
Darfus, if you've only been playing for 1 year...I'm impressed if you can play what you say you can. Especially setting your sights so high with those drummers. BTW Minion, Portnoy regardless of his shitty attitude is a great drummer. Overrated, maybe...but most drummers will testify to his abilities.

The double bass can give you breakdowns...my problem was the obvious always speeding up while trying to maintain a steady speed. That's just straight dbl bass...trying to do the fancy stuff is harder. Don't know if you can, but if you're really serious...20+ hours isn't enough. The 2 friends I had that were excellent drummers played every minute they weren't in school or working. I would guess 35-40 a week...that's why I never got that good, didn't have the time or drive. As far as size, I don't think it matters...my friends were of both sizes you mentioned. The shorter one was the speed/thrash guy while the taller was the Portnoy style. They could each play the other style effectively though.

Good luck and keep working at it.

Seth

Hey thanks a lot. That means A LOT to me. That's the closest I get to my own personal fans. Heh.

Ugh, yea I have that same problem. Speeding up when i'm not suppose to! Ugh. I don't get it. Some days I awesome, I find best when I'm relaxed and my legs aren't tense. But, that's hardto do when you're so into the music. Maybe i'll try screaming to get the extra energy out.

The only reason i only play 20+ hours a week is because of my hands. My hands will rip, I have bought gloves but I don't like them and they make me feel restricted. No good. I still have muscle to build, some of the Lopez ride 16th notes with one hand are strenuous. And, obviously the double bass.

Yes, I agree with you. The shorter one was more trashy and speed. Taller Portnoy, that's like me. But i want to be both and have to work extra hard... I can't tell you how sore I am and feel liek shit for days after having a drum-marathon all day. (there's one day every so often where I play about 7-8 hours with 2-3 breaks and play many Opeth/DT albums) I don't play them perfect of course, there's just some parts that I can't do. Fatal Tradegy (Dream Theater song) there's one part... Man.

Hmmm I'm going to think of the hardest Lopez section I can. and Edit it here when I flip through the albums Still Life +

Ok, now I'm not going for his best work, i'm going for the most physically challenging (and mentally, drumming is not 100% physical, hahah, that was retarded..)

Still Day Beneath The Sun
Patterns In The Ivy 1 & 2
Prologue
I don't know man.. Deliverance is just... BUT, the fact that he doesn't play anything EXACTLY how he does on the album PISSES me off. I know he CAN, either he doesn't feel like memorizing the parts, or he gets bored and doesn't want to feel like a machine. Even though he is one.
"sometmies you know, you have to play machine-wise"-Lopez.hahah i love em.
But yea, deliverance is on that list, so many difficult sections, the one before the outro? OK. whatever you know. the outro itself. many sections. The part before the outro, starts at like 8:30.. random ride bell hits with tom hits, snare hits, bass drum. annoying me because it's to 'WTF' for me.
By the pain i see in others is pretty talented, I'm going to say that without listening to the song because i don't feel like it, i'm watching the jets game.

Then, Lopez has the classic MACHINE GUN double bass with blazing rigth hand speed at the same time, (April Ethereal). Ok, this post for me is just a realiztion of how much I suck, so, i'm going to stop. later all! well this was an edit not a post.


Portnoy is a piece of shit, Jesus Christ he is so over rated, everyone always puts him in the list of so called elite drummers, he's a fuckin turd who thinks hes top dog. His attitude is fuckin atrocious, and he can't touch drummers like Bozzio, Carey, and Weckle. As for Lopez, to me he is the most subtly amazing drummer in Metal, the stuff he pulls off is often overlooked but he kind of takes a humble and musical approach to his writing, and he excels at doing it. Especially his stuff on MAYH, which is by far his best work, have you people ever sat down and tried to play that, its very challenging to keep on the mark even though it doesnt sound it.

I understand how you feel. Can't deny his talent though. Some parts are quite polyrythmic.
 
Seth and all other drummers;

What are/were your strengths and weaknesses? Chops, double bass skills need to improve. I guess my plus would be creativity and co-ordination? Because I love coming up with stuff that no other drummer would think of, it is just my thing, one of my huge characteristics is to be different, becuase if you're not then what's the point of life.

I like ghost notes a lot, Lopez pretty much got me into them. The one handed snare roll i'm still trying to get like him, on lamentations you can see it, it's ridiculous.. You can tell it's years of practice. I have 'feel', if by that you mean knowing what to play when to play it, learning when to put the restrictor plate on and when to take it off and go nuts. I'm pretty smart because I concentrate, but I still mess up to much. Stick goes flying, hit myself in the face (very painful, especially the eye area), stick gets caught under a tom, jammed for a second and screws me up, ahha.

You guys talk about what you like, what you play when not playing along to music, if you play along at all.

I don't find myself playing fast when I'm messing around myself, for instance. I don't do fast right hand stuff, it's just strenuous, you know. I just try to come up with really weird patterns, involving everything i've got as a tool. Ghost notes, toms, snare, ride/bell, highhat/bell, crashes, double bass. I actually don't do a lot of double bass. I've never really been in a serious band or recorded so I can't let you listen to anything or tell you what I would do in a song... I love double bass and the whole concept of it. But I'm sure my sections would just come up as lots of hi hat work, rolls on the top of the hat while closed/open, lots of opening and closing, i like it. hit it with the bass drum, without, snare, snare+bass, and all. ride bell love it. the rims of the toms, no double bass.. I'm not comfortable with myself yet. because as i said before I try to play fast and my head is a metronome, but it's not as loud as i'd like to be, or clean. My left foot sucks. most frustrating thing in my life. Ok enough rambling, later guys.
 
I'm not a drummer, but i'd have to say that Lopez is probably the most under-rated drummer in metal. I hardly ever hear his name mentioned when people are talking about great drummers, even amongst my drummer friends, and considering Opeth's popularity it makes me wonder why. I mean ok he's no Virgil Donati (i don't think anybody is) and maybe he's not quite at Sean Reinert level, but i do put him up there with the likes of Gene Hoglan. My Arms, Your Hearse is definitely my favourite Opeth album for drumming. It's so creative and fits the music so well, perhaps more so than most other metal albums i've heard.
Of course all we can really go by is what we've heard him in bands and stuff. Well that's true for most of us anyway i would think. Going by that though, i think he's an awesome drummer. I think you can judge a drummer's talent (or any musician for that matter) by how they fit the song they are playing on, and if that's the requirement for a great drummer, Lopez is one of the best.
 
George said:
No Lopez is the drummer, the bass player is Mendez.
As for Lopez, he adds great feeling into his playing, which a lot of bands today don't really pay attention to, that's why he definatly stands out among the crowd. Not only that but he has very creative beats he uses in songs, one such example is Deliverence, that beat at the end riff is excelent and I'm sure any drummer would be caught tapping to it at one point or another.

After seeing him play that part in the DVD, I couldn't stop tapping to it. I always seem to have trouble playing it though...
 
Here we aren't questioning if he's a big dick head in person or a fucking ego man, he's an excelent drummer, I love his style. I don't understand it either.

\m/

Luz.-


deliverance said:
yeah, i don't understand how anyone can say portnoy "sucks." that's just funny.
 
Was it Lopez who was in a Black Metal band a few years back, if so, then we could probably see how he stacks up with blastbeats.