Oblivious Maximus
I am the worm
Do forgive the spam but I know there's a few Takashi Miike fans on here and I posted my thoughts on Imprint (2006) yesterday morning. Normally I try to avoid writing about films that have been discussed to death which this one certainty has, even before anyone in the States got a chance to see it but I always feel this film, well a lot of Miike's work, but this one especially is done a disservice whenever its mentioned alongside shallow, overhyped pieces of shit like A Serbian Film (2010) and those August Underground (2000-2007) borefests on those MOST TOALLY EXTREME HORROR FILMS BRO!!!! lists so I tried approaching it from a different angle. Not sure if I succeeded but its up for public scrutiny if anyone's interested.