I did a lolHell Awaits was originally a Christmas record, as the rare bootleg scrap of lyrics, "With the High Santa awaiting, candy cane in hand, spilling the pure cranberry sauce" proves, but was turned into the Satanic glam metal opus we know today after Hanneman decided to prove to his mom that it, quote, "wasn't a phase."
Once again, nothing to do with consensus, they are not metal by the faintest of technicalities, consensus or not.I must also state that The Who is not metal. They are technically metal but the consensus says otherwise.
Once again, nothing to do with consensus, they are not metal by the faintest of technicalities, consensus or not.
heterosexuals should be mocked for allowing humanity to continue
Melissa and Don't Break the Oath are both so fucking brilliant and perfect. I got into Mercyful Fate relatively late compared to most of the other big names, but those two albums have done nothing but grow. Most prog metal bands wish they had songwriting that involved, let alone their contemporaries in trad metal. Even stuff like classic Maiden and Priest I've begun to see some of the relative weak points, but those two seem bulletproof. I think I prefer Melissa for its higher consistency both in writing and in tone/mood, and because it has the single greatest collection of riffs, Satan's Fall, of basically any song, but Don't Break the Oath has sharper left turns and probably more 10/10 songs.