Ok, I translated my review very fast in a kind of rough way, so forgive me any mistakes. But you will get what I wanted to say:
(roughly translated from musikreviews.de)
The eighth album from BORKNAGAR could not have a better title. On the one hand, "Universal" is a hint at the piece of the same title from "The Archaic Course" (1998), and by this a hint at the use of more warm, emotional and melodic sounds, which in some places are allowed to have a folk touch. On the other hand, it's not just a return to the old days, but the most varied album of the band's history. "Universal" spans everything that BORKNAGAR is about, so to speak it is the "universal" album. You will find black metal fury and screaming (but not so frequently anymore), a lot of clean singing and beautiful harmonies, epic and dramatic parts (without getting cheesy at all), calm and folky passages with fitting instrumentation, Hammond-organs and a lot of influences from progressive rock. If you would have to categorize the band these days, only a construction like "Epic Progressive Folk Black Metal" would be suitable. But even that would not describe it in the right way, because it doesn't sound like a lot of styles put together, but like their very own, coherent mixture. For example, the casual outbreaks of black metal don't get out of line, and even listeners with less extreme preferences can enjoy it. At the same time, fans of the black styles should have no problems with the playful progressive rock parts, because even there you can feel the dark heritage of the band. The production is doing its part so that this mixture is working, it sounds warm and gives every instrument its space. You won't hear a fat, too compressed extreme metal sound with unnaturally triggered drums, but you won't hear a powerless prog-rock sound either. Everything is balanced, every element gets its right, without heading too much in one direction or the other.
Because of the first two tracks you could think that black metal might win on "Universal", with fast drums, buzzing guitars and aggressive vocals. But even in these tracks you can find unusual, but catchy vocal melodies or organ sounds, which remind of the seventies. With increasing playtime, the extreme portion of the music becomes less, even if it never disappears completely. In spite of that, clean vocals are dominating, there are a lot of calm and playful progressive passages, sometimes even slightly swinging rhythms and melodies (for example in "Fleshflower" or "Worldwide").
Andreas Hedlund tries to meet the requirements of the music and goes for a lot of variation, sometimes you could even think there were different voices on the album (in fact, in "Fleshflower" you can hear Keyboarder Lars Nedland). The clean vocals are often well done, but sometimes the singer from VINTERSORG seems to try to fly too high. On a few occasions, he even sounds a bit strange or croaking (for example in "The Stir Of Seasons").
BORKNAGAR always sound the best, when they manage to bring all elements of their music together in one track, like in "For A Thousand Years To Come". Although, like most of the time, they don't use traditional verse-chorus-structures, the song is very catchy, because the main theme is repeated in different arrangements. The song builds up for several minutes, until this theme is resolved in a sort of chorus at the end.
But the true highlight comes at the end of the album, with another reference to the past: Ex-singer Simen Hestnæs (also known as I.C.S. Vortex) sings "My Domain", which was originally planned for "The Archaic Course". The more moderate, very melodic song sounds melancholic and dramatic, which fits perfectly with the uncomparable voice and unusual vocal lines of Simen. Because of this, for me personally, "My Domain" becomes one of the most beautiful BORKNAGAR-tracks ever.
CONCLUSION: "Universal" sounds at the same time catchy and emotional, but also playful, progressive and experimental. Although the black metal roots are not denied, but made audible again and again, you cannot put the band in that genre anymore. And also other categories are too small. With this output, BORKNAGAR could even reach any open-minded listener with a sense for unusual melodies and ambitious compositions, besides the conventional ways. So for me there is only one downer on a overall good album: The great track "My Domain" shows that BORKNAGAR and Simen Hestnæs should never have parted, because with his singing, BORKNAGAR are truly something very special.
11 / 15 (which means: "really good album, not much to criticize")
Original (in German):
http://musikreviews.de/reviews/2010/Borknagar/Universal/