Lethal01
Member
the (very) short drum "solo" in whatever song it is, is fucking awesome. Damnation is defenatly the most subtle music Opeth has ever made
IceQueen said:I'll admit Damnation isn't what I expected... and it took me a few listens to really love it. I just can't dislike anything that Opeth do. Like somebody said, listen to it a few more times. It's better when you're concentrating on something else, and have the music on in the background. I find CDs grow on me faster that way, weird, huh?
And seriously dude, you need to let go of this interview!
Moonlapse said:Yeah that's what really struck me about Sorskogen... when Mikael just ripped that solo outta nowhere... that completely kicked my ass! But its still good, im still discovering Damnation.. I guess they were experimenting with different ways to 'get you off' and I guess using solos is a bit too standard.
Sorskogen is a side project Mikael did a few years back with Dan Swanö - he wrote a few songs, I believe, but only one was actually recorded, titled Mordet I Grottan. You can find it on a file-sharing service if you want a relatively low quality version (128kbps is the only one i've ever seen), or ask Dan Swanö (jump to the Swanö forum, he's around) and he'll send you a burned copy on CD for a couple bucks to cover shipping.JesusChristPose said:~ I am in the dark here...what is Sorskogen? Please explain it this ignorant fella
Static said:Ahhhh very good. Now if only you could somehow make this point relevant in anyway.
The definition of 'prog' is so vague that its a fucking difficult judgement to make. To me, Damnation is 'proggy', but not 'prog' per say. At any rate the argument of what prog should be is both irrelevant and stupid.
Moonlapse said:Likewise, was expecting it to sound generally a bit more proggy and stonery as opposed to so gloomy and dark... as I said, more like Sörskogen... that would have been awesome.