New Xasthur is better than Defective Epitaph while being pretty similar. I wrote about about it at some length when it came out. It's as if he's aware of the prior criticisms of the older albums sounding the same, and now he's trying a bit too hard to sound different. There are fewer of his trademark arpeggio-based melodies than ever before.
I thought I would really really like A Forest of Stars, and it mostly didn't do too much for me. Too much space in between the parts I enjoyed, and the pace was rather glacial. The first song was good, but it never sustained much momentum. I did like the violin and the singing never irked me, but there wasn't enough quality metal to justify the length of it. The outro of the album is too similar to, if not stolen from, Opeth - The Night and the Silent Water. So when there are guitar parts, and they aren't original really, that's a bit disheartening.
SVEST rules. I would like to be able to track down more of their stuff. There's a few riffs that sound straight from Rush on the DsO split. Those songs are ridiculously catchy. It's great. The production isn't nearly as challenging as on Urfaust, which wasn't an easy listen at first, but the strength of the melodies can't be denied.
New Krallice continues to grow on me, and now I think it's great, even the middle parts, which I also did find a bit taxing at first. 78 minutes of active listening can be a challenge, so being familiar with the songs has made the whole thing a lot easier to follow. I even really like that guitar ambiance track, and would like to hear more stuff like that, with Velvet Cacoon being the only band I can recall that sounded that way ever. Overall, I'm very satisfied with the album. A retread would have been alright with me, but there's definite growth in this album.
I ordered a demo tape of Maledicere that I'm really looking forward to. I have one of the other demos and the band really seems to have promise. Riffs remind me of the ones Emperor played when Emperor was a band with riffs worth paying attention to. Great sense of variant tempo and pacing, which I think was the thing that Emperor did better than other bands back then. No keyboards, I should add. NWN had this for cheap, so I will report back on it later.