The reamp trade sounds like a good idea. I've been charging to reamp only for the past year now already. Bands bring me their sessions, and want just their guitars reamped, because the other studio dropped the ball on getting good guitar tones. We charge like $80 a song, no matter how many guitar tracks there are. All we have to do is import the session, setup the patch bay, and press record....come back after like 20-30 minutes (or however long the session is completely) and then hit stop...edit the in between areas, do some eq, and presto! all done.
I think the reamping trade is a really cool idea. I have a PowerBall, Dual Recto 3ch., Mesa MarkIV, JCM800 2203, JCM2000 TSL, and a JTM45, Peavey 5150, and pretty soon a Peavey JSX. Cabs are: Mesa oversized 4x12 w/ v30's, 2 Marshall 1960 cabs, one with v30's, the other with T75s, one Marshall 2x12 w/ v30's....SM57, TLM103, MD421mkII, and e609. Count me in, when I have time, heh.
I'm actually going to make impulses of all my cabs with all of my mics in several positions, so like, 3 pos. per mic, and I have 4 mics (that I personally own for mic'ing guitars), and 4-5 cabs...that way I can have a library of my cabs, and have them all just a mouse-click away
~e.a
I think the reamping trade is a really cool idea. I have a PowerBall, Dual Recto 3ch., Mesa MarkIV, JCM800 2203, JCM2000 TSL, and a JTM45, Peavey 5150, and pretty soon a Peavey JSX. Cabs are: Mesa oversized 4x12 w/ v30's, 2 Marshall 1960 cabs, one with v30's, the other with T75s, one Marshall 2x12 w/ v30's....SM57, TLM103, MD421mkII, and e609. Count me in, when I have time, heh.
I'm actually going to make impulses of all my cabs with all of my mics in several positions, so like, 3 pos. per mic, and I have 4 mics (that I personally own for mic'ing guitars), and 4-5 cabs...that way I can have a library of my cabs, and have them all just a mouse-click away
~e.a