Kenneth wrote
Take for example The Beatles. Simple music, and as I write this, decades old. Yet they have more public presence today than many modern bands. Why? I argue the connection they made with the public was stronger, their music more effective, potent if you will. And they did not need technical wankery to do so. I challenge you to find three bands whose technical showoffery alone secured them lasting appeal with the public. Wankery you may in your opinion call music, but no matter how you look at it, it doesn't have anything to say.
You mean it doesn't have anything to say to YOU.....you keep referring to "technical showoffery" and "wankery" which implies that you
know that the source of the playing is the artists ego....and again you don't know.
As for 3 bands....well that is of course going to depend on a person's view on what "wankery" is.
My dad thinks Van Halen is all wank....definately don't agree with him.
As mentioned before...Paganini was considered a 19th Century "wanker"....some people considered a lot of what Charlie Parker played as "wank"....Chick Corea...."wank"....so who's right and who's wrong?
It will always come back to that "O" word...always.
As for the Beatles....they've never really connected with me...maybe a few songs during their lsd period got a bit more interesting...but never a big impact. As for their prescence today.....maybe its because they wrote songs that appealed to the mass public....maybe people still listen to them or seek them out because they were the biggest band in the world and they feel "obliged" to see why...sort of like when i ask my guitar students who they think is the "best" guitarist,,,and i so often get the reply "It was Jimi Hendrix wasn't it? or "its supposed to be Jimi Hendrix"....socially conditioned answers.
There are plenty of "big" bands that have maintained popularity over the years (eg The Rolling Stones, U2) that to me have no "potency"....but i won't go into that argument.
And that's why I argue that it weakens pieces of music when overused, as in previously discussed cases like Dream Theater - In The Name of God. Even the Dream Theater fanbois gush over songs like Space Dye Vest or Great Debate instead of In The Name of God. It's precisely the issue with Dragonforce as well. They're a novelty. You are impressed by their skill, it's intriguing, but after listening to many of their songs, you realize that they are all the same, and none have anything to say. There's a reason why Starfire is so popular - it's not about playing-as-fast-as-you-mindlessly-can-just-to-do-it.
But yet some people seem to like Dragonforce....i guess they are all wrong....we could also get into the art vs entertainment debate...and at what level are artists aiming to make a connection with the audience.
Maybe In the Name of God just isn't a good song as the other two mentioned...and if you took the "wank" out of the song it still wouldn't be as good....do you blame the "wank" entirely, is it a contributing factor or is it irrelevant?