Meedleyx10
Member
Be careful man.....he might just add you to the "ignore" list if you keep disagreeing with him.
II cant believe this is still going - looks like there is only one way to settle this argument once and for all.... Cage Fight at dawn!
I dont listen to music because of lyrical or emotional sentiment. Granted, there are some exceptions, but as the whole im a grooves, riffs and solos person. The Beatles, while I acknowledge that for their time were revolutionary and collectively are perhaps some of the greatest song writers we will ever see; for the most part do nothing for me. I suppose it comes from studying and playing music that I find virtuosity to be favorable to my ears. There is no emotion attached to this sentiment, just a pure awe that someone has mastered their instrument to such a high level. So for some receivers such as myslef, out and out musical masturbation can add to my enjoyment of the music. Is it helping convey any emotions or sentiment? Not really. Is it trying to? For the most part its irrelevant to me. Of course as with all things a compromise has to be met, but some level of technical proficiency has to be met to keep me interested and Im sure as metal fans we can all agree on at least this point!
The "wine analogy" is even more inneffective. (and no it has nothing to do with me not "getting it" as Kenneth would probably jump at the opportunity to proclaim). In that example, the more water you put into wine, the worse the wine gets. Get it to the point where you have 100% water and no wine. You'd be left with horrible wine, right? WRong.....you'd be left with water, which plenty of people enjoy. Obviously if you pick up a glass for a sip expecting to get wine you'll be very displeased when you get a mouthful of water, and the same holds true for the guy expecting water picking up a glass full of wine. This comes back to my first (i think it was the first) post I made in this ordeal. You can't hold the same standards to two different kinds of music. Otherwise you end up with "Dream Theater is the absolute worst jazz quintet I have ever heard in my life" or "Segovia!? That guy can't hold a candle to Coltrane!".
There IS NO objective point in Kenneth's argument, and that's the point that several of us are trying to make.
You are basically saying "If you like it it's good, if you don't like it, it's not good." The motivation behind the writing is NOT at stake here. I do NOT claim to know such things.
the communicative effectiveness IS at stake here and is an objective thing. Consider the band a transmitter. Consider yourself a receiver. The receiving end (this just got dirty ) is subjective since there are many different kinds of receivers. I am NOT arguing that, so STOP bringing that shit up again and again. However, since there is one band, this single transmitter is, when compared to others, more or less effective. How hard is this to comprehend? Some bands make you go, wtf are they talking about? Some bands make their message clear. You might remember a particular band for being skilled, but will history remember any of their songs, or what those songs are ABOUT, or just that the band was particularly skilled but contributed absolutely nothing meaningful? As in the Beatles example, I DON'T CARE if you like them or not. They connected to millions of people. They're DEAD now and they STILL connect to millions of people. They've been DEFUNCT for decades. This is OBJECTIVELY A BAND WITH MORE EFFECTIVE COMMUNICATION than some one hit wonder who maybe had mad chops.
This thread should be put on a list of the most hilariously predictable arguments.
ARGUEMNTS ABOUT TECHNICAL WNAKERY ON PROG FORMUS NEVAR GO ANYWHERE GUYZ JEEZ