Spirit In Black said:
You checked out some of the worst metalcore bands out there. Listen to Lamb of God, Shadows Fall, or Prayer For Cleansing. They are really good Metalcore bands that aren't all about image and are actually very good.
I do enjoy Lamb of God. Shadows Fall are okay in small doses (With Somber Eyes To The Sky and Of One Blood are much better than The Art of Balance). I've never listened to Prayer For Cleansing. Other than that, the only other metalcore bands I listen to regularly are From Autumn To Ashes, The Dillinger Escape Plan (if you can call them that, I certainly don't, but most people do) and The Red Chord (same thing as DEP), early Embodyment, etc.
And as for mealcore being the new "nu-metal", perhaps I should elaborate. I didn't mean that the genre, literally, is replacing nu-metal. I simply meant that metalcore is the "in" thing right now, more so than even melo-death (hell, Bleeding Through supported Soilwork if I remember correctly). The genre is taking off; go back about five years (even less than that, really), metalcore was practically nonexistent. Now look at it. These bands are (even the ones I really detest) are far more enjoyble to listen to than nu metal, but I feel that there are two major problems plaguing the genre:
1) Many of these bands have a serious case of identity crisis. They don't know
what they want to play, and their compositions feel unnatural and jilted as a result. Every Time I Die is a perfect example. Half of Hot Damn was in the metalcore vein, but all throughout the disc, I got the feeling that these guys (or some of them) would rather be playing thrash. Who knows, maybe I'll like these bands in a few years when they're sure of what they want to play...
2) Since the genre is getting to big, many of these bands, in an effort to make themselves stand out, are adopting a "for the sake of..." method. Example: Between The Buried and Me. Far too many breakdowns on the CD of theirs that I heard, and many of them were either poorly constructed or too bizzare to enhance the listening experience. In the end, I got the feeling that Between The Buried and Me wanted breakdowns to be their defining feature, but if they're ill-used, what's the point? Again, maybe I'll listen to these guys in the future once they're sure of themselves. But certainly not now.