Hey man, I don't post here very often but I browse from time to time. I would just like to give a quick thanks for the 2 videos man, this is a really interesting technique and very useful. Thanks again.
maybe I'm missing something, but couldn't you just save the Ozone plugin settings and just call those up rather than go through the trouble of making the IR?
on my system, using an IR in a plugin (like KeFir or SIR, etc.) use more processing power than just using the EQ section of Ozone. In Cubase, I could just save the plugin setting and call that up, right?
You could..
But going through the "trouble" of making an IR is worth it for some/many..
You have a small "preset" of a few kb that can be shared, sorted in your own library and easily transfered.. also it's so much easier to just switch IR, like you can in Boogex, to hear what tone might suit the track..
This is awesome. Although my favourite tone is Opeth on Still Life, and making an impulse of it has just made it obvious that it's far too distinctive to be useable.
Also, you don't necessarily have to match the original tone, because any difference will be made up for. I made an awesome IR to make Acmebargig's C-15 sound like Devin Townsend's tone on Storm - I've always liked the C-15's response, lovely fat chugs etc, but have never been able to use it because it has way too many EQ-related problems (way too dark and muddy, presence knob just makes it fizzy). But this process automatically makes up for that muddiness and forces it into the EQ of Devy's tone. 'sawesome.
Well you most likely did something wrong. Usually it's all about people not understanding how Ozone works. Do you know how to take snapshots with Ozone and do you know how to reset the Ozone meter inbetween takes? Those were things I didn't mention clearly...
No how do I reset the meter in between takes