Black Metal.

[skeptik]

No, that's because you don't know what the fuck Black Metal is.

 

[The Ozzman]

LOL

 

[Krilons Resa]

 

[Alter]

No, that's because you don't know what the fuck Black Metal is.

Oh! Of course, I dont. I forgot its all about tremolo picking in the same fashion in EVERY single song with the same half-assed lyric style and than recording it in the back of a van but not before taking ridiculous pictures of our selfs NAKED in the forest.

 

[skeptik]

Way to NOT describe Profanatica.

 

[Alter]

I was mixing both Havohej and Profanatica's worst parts, which is strangely a lot of what makes both bands, together to form a description of what true black metal is sense I forgot what real black metal according to you.

 

[skeptik]

The only Havehej I really care about is Dethrone The Son Of God, which is mostly Profanatica covers.

 

[Alter]

Which makes them even worse...

 

[skeptik]

Go suck a dick you queer.

 

[Alter]

That comment was directed at black metal 100%.

Anyways, how did you like Mock?

 

[Mort Divine]

Alter you have such awful BM taste.

 

[Alter]

I just find that too many people allow them selfs to be fed passionless black metal.

 

[skeptik]

Abrupt tormented riffs singe and dive, seething in the hissing deconstruction of their own forms before resurrecting in a flash and charring. Using the simplest, often most jarringly aesthetic, songwriting ideas possible this band of deranged individuals create short but transmissively rhythmic works, opening vectors into the listener with natural motions and sudden instantly logical transitions with an emphasis on primal riffs and unchartable screaming noise. A turbulent redux and cyclic winnowing and return both mixes ideas and keeps them jarringly separate, moving the listener between themes as if rooms in an apocalyptic funhouse.

Like most black metal, Profanatica aim for the sleeping mind of the human machine and saturate it with a bloodlike rhythm while a structure twists and regenerates in front of the ears. Once a continuity has been established, songs create spaces of introduction while flashing to final conflicts and resolutions within the motif of the value structure of each song, in concept and creation. Intermediary wanderings fade into an exploration of the dark underpinnings of each poetic mechanism like a drunken lazy genius deconstructing his enemies, slight motions leading to symphonic collaboration of natural forces toward change.

The works here chronicle this band from a youth of abandon to songs honed and handled to smoothness and absolute application to function alone that differentiated this band among other counterpoint atonal metal composers. Early versions of Havohej and Profanatica classics, in their often punkish or sprawlingly black metal personae, cut to the vein of the spirit pushing an unlikely quest through in a belief in its art. These artists were an inspiration to many European bands and remain legendary in the occupied American states.

 

[Mort Divine]

To call Profanatica/Havohej passionless when you love Peste Noire is hilarious!

 

[Krilons Resa]

Abrupt tormented riffs singe and dive, seething in the hissing deconstruction of their own forms before resurrecting in a flash and charring. Using the simplest, often most jarringly aesthetic, songwriting ideas possible this band of deranged individuals create short but transmissively rhythmic works, opening vectors into the listener with natural motions and sudden instantly logical transitions with an emphasis on primal riffs and unchartable screaming noise. A turbulent redux and cyclic winnowing and return both mixes ideas and keeps them jarringly separate, moving the listener between themes as if rooms in an apocalyptic funhouse.

Like most black metal, Profanatica aim for the sleeping mind of the human machine and saturate it with a bloodlike rhythm while a structure twists and regenerates in front of the ears. Once a continuity has been established, songs create spaces of introduction while flashing to final conflicts and resolutions within the motif of the value structure of each song, in concept and creation. Intermediary wanderings fade into an exploration of the dark underpinnings of each poetic mechanism like a drunken lazy genius deconstructing his enemies, slight motions leading to symphonic collaboration of natural forces toward change.

The works here chronicle this band from a youth of abandon to songs honed and handled to smoothness and absolute application to function alone that differentiated this band among other counterpoint atonal metal composers. Early versions of Havohej and Profanatica classics, in their often punkish or sprawlingly black metal personae, cut to the vein of the spirit pushing an unlikely quest through in a belief in its art. These artists were an inspiration to many European bands and remain legendary in the occupied American states.

:zombie:

 

[V.V.V.V.V.]

Seriously :zombie: worthy!

 

[Zhou Tai 04]

Has anyone else heard Lo-Ruhamah? They're really good black/death/post-rock.


http://www.lo-ruhamah.com/
http://www.myspace.com/loruhamahofficial

 

[black blood]

Paul Ledney is a fucking legend.

http://www.voicesfromthedarkside.de/interviews/profanatica.htm

 

[Krilons Resa]

Seriously :zombie: worthy!

Im not sure if it's what Nec tried to humorously emulate, but it's like an Anus review.

Unless it is an Anus review.

 

[KevenZ]

As did every other band with bands before them. It doesn't mean they're necessarily part of the same genre.

So Mercyful Fate is black metal because they had the devil ideology? By your standards... Black Sabbath could be considered black metal since they influenced Mercyful Fate and Venom with their ideology about satanism, occultism and black magic.

Please inform me with your oh so great knowledge mr smart ass who called me retarded.