In regards to IXE and Prometheus:
I distinctly remember buying IXE the day it came out. I'd been shooting my load all over everything (and I do mean
everyfuckingthing) that Emperor had put out up to that point,
Anthems above all. I then put the cd in my car, and cried. And cried. And fucking cried. I was expecting something that built upon the groundwork laid down by Anthems, with its whirling vortexes of sounds that cerebrally translated to whole new dimensions. That was one dense record, and it gives me chills to this day. But no. Instead what I got was something else entirely, a death metal-infused, stripped down record that sounded more like a step off of the path that they had been on, and furthermore a step
backwards as well as sideways, then any sort of logical progression. I wanted layers and although they were present, they were like dingy polyester when I was looking for down. Of course, today I can appreciate IXE and I don't find it to be a bad record in the least, but it will nevertheless always be a disappointment for me solely because of the (probably irrational) expectations that I had held. Or maybe it was just Ihsahn's bald fucking head.
Prometheus I found redeeming, if only somewhat. Although it took the neo-classical influence to new levels of wankery here and there, with everything sounding just a touch too frilly, the majesty had, at least to an extent, finally returned to the Emperor camp (cf. the horns on "The Tongue of Fire"...or is it "In the Wordless Chamber?")
Regardless, I think that they had a lot more metal in them, and still fantasize daily about the perfect follow-up to
Anthems and how ecstatic I'll be once it's finally released later this year. I tell myself this ever year, and still I wait.