There are albums that were recorded in the 60s and 70s that sound light years better than TGOTE.
This is true. The Doors first album, "The Doors" is one of the FINEST albums of all time, and a lot of that has to do with Rotchhild's production.
There are albums that were recorded in the 60s and 70s that sound light years better than TGOTE.
This is true. The Doors first album, "The Doors" is one of the FINEST albums of all time, and a lot of that has to do with Rotchhild's production.
Good for you then. I was talking about production only. Whether or not it's a better album is subjective of course, there is a difference. By the way those Gold RTL and MOP albums from Steve Hoffman were remastered only, not remixed, get your facts straight.
Scott also said that the reason why the did the reunion back in '05 was because they couldn't survive doing another album with the Bush line up. They had to do the reunion in order to survive as a band. I think a lot of people were pissed that they weren't going to go forward and make an album with Joey at the time (for whatever reason any of them want to use) and interest, again, declined. John filled contractual obligations for the band and then they got Dan Nelson. In hindsight, they would've been better off getting Matthew or Gunnar Nelson because at least those guys know how to tour. Fans had a morbid curiosity as to how that might turn out (it was worse than Gary Cherone's stint in VH), Dan quit/got fired and business picked up when Joey got back.
I think Scott and Charlie may prefer to have Bush in the band but, unless Scott wants to live in Meat Loaf's basement for the rest of his life, he knows having Joey in the band is the best thing for business.
Fine, a REMASTERING job. Doesn't change the fact that recording an album with today's technology doesn't mean it's going to sound better than something recorded 20-40 years ago. Performances aside, TGOTE doesn't SOUND good at all. Don't confuse loudness for good sound.
Good on you for thinking so. So what if it's mastered loud? The quiet bits are quieter than the loud bits and the loud bits are louder than the quiet bits which still equals dynamic range. Which is all that Steve Hoffman did at the end of the day, made MOP and RTL louder............
http://www.urbandictionary.com/define.php?term=muso
"A muso is a person who is obsessed with music.
Their record collection will contain music and artists nobody else has heard of, and if they believe that an artist is becoming popular they will deny they ever listened to them and quickly dispose of any evidence.
If they come around to your house they will make a beeline for your music collection and then criticise everything in it just to make sure you know they are cool.
As a sideline they will take up the acoustic guitar and then force you to listen to their "revolutionary" take on what music could be like. It will undoubtedly be dreadful and unlistenable.
'You're such a muso, if other people have heard of it you hate it.'"
TGOTE peaks and squeals like Ned Beatty in Deliverance. I guess if you're listening to it on the computer or through a boom box it doesn't matter, but when you're actually listening to it through a really good sound system, it matters.
You like TGOTE and you love John Bush and you're a self confessed "muso", a term I had to look up and wasn't too shocked at it's meaning:
http://www.urbandictionary.com/define.php?term=muso
"A muso is a person who is obsessed with music.
Their record collection will contain music and artists nobody else has heard of, and if they believe that an artist is becoming popular they will deny they ever listened to them and quickly dispose of any evidence.
If they come around to your house they will make a beeline for your music collection and then criticise everything in it just to make sure you know they are cool.
As a sideline they will take up the acoustic guitar and then force you to listen to their "revolutionary" take on what music could be like. It will undoubtedly be dreadful and unlistenable.
'You're such a muso, if other people have heard of it you hate it.'"
Yeah like you really know me......LOL. There's a billion thing more important to my life than just music......Like I said before, I like both eras.......I know TGOTE distorts a bit but overall it still sounds good to me, get it? TO ME. If you hate if, well congratulations! I was just stating what I think, not attacking anyone, I dont care if you disagree, seems like if I think TGOTE has a good production, theTru Broooootal Old SKOOLERS take it as a personal attack.
Technically speaking , er, yes. Think about it, at least 14 years difference in recording and production techniques btween the last Joey era album POT and TGOTE, so by default, yes TGOTE is a better production, loud mastering notwithstanding..........
I'm sorry...........good for you.
Good for you then.
Good on you for thinking so.
Prove it............
Yeah like you really know me......LOL. If you hate if, well congratulations!
Good for you then. I was talking about production only. Whether or not it's a better album is subjective of course, there is a difference. By the way those Gold RTL and MOP albums from Steve Hoffman were remastered only, not remixed, get your facts straight.
Just get a room and get it over with you too!
You act like they were actually re-recording "the classics", such as when that Sharon cunt had the original drums and bass redone on the first Ozzy albums remasters because Kerslake and Daisley had pissed her off. Had they released Among The Living remaster with for example guitar solos redone by Caggiano, I would be pissed off too. But TGOTE was something completely different, similar to the First Strike Still Deadly or to what Molly Hatchet did (can't recall the name now). After all, Anthrax had been playing some of those songs live with Bush for years and they had become better musicians since, so why not capture the atmosphere. I think the Fistful songs (especially Deathrider) came out just great, while for example I Am The Law is kinda slow and boring.
Skolnick did First Strike Still Deadly