Ohh sorry I missed this one.
This is gonna be rough but honest.
Im actually not surprised by the votes---G was 6db louder than the other tracks and had that terrible static highend that has absolutely nothing to do, harmonically, with the guitar tone. I dont know how younglings in this genre are adding it but I know for a fact that no Pro CD's contain it. Its an amateur attempt at achieving a slick highend. But its not highend...its static. The core of this tone was also wah ridden which is what I hear all the time too. Just highpass all the clips and your hear it right away. Upper High end should only contain the cymbals---certainly not guitar
The best tone was actually H because it was closest to a full rounded tone with the least plasticy wah midrange and had clear tight lowend definition. Im not saying it was mixed the best but it was the best base tone an engineer could hope to work with.
I think it would be great if Andy would come around and explain midrange and highend to his fans because so many think their sounds are similar to the real deal but are really just extremely hyped interpretations of they think they are hearing on records.