Erik said:
Um, this has been discussed too. Maybe I worded it poorly. It's not necessarily about only reviewing "Master of Puppets" and "Volume 4", more about giving support to the bands that deserve it. You know, instead of giving free webzine space to the 6000th trendy poopcore band that Metal Blade churns out or the 50404040th Darkthrone clone, we'd focus on the Negurã Bungets of the world... and also on reviewing "personal classics". I mean, does the metal world know how fucking awesome "A Deeper Kind of Slumber" or "Jormundgand" are? Doubt it.
Yes, this is an excellent point.
Rather than review another shitstain, I felt that it would be better to spend that same effort discussing a band that each writer thinks has some relevance, or indeed, deserves some support just because they've been widely ignored by the corporate labels.
Yes, when this first started, I was excited as heck to be working with all the big labels, but then over time, I realized that they essentially just take mainstream ideals and push that out to the metal community. That's why they sign the "safe bets" and we get crap puked out on us.
Josh believes that ALL metal is underground, I disagree. I think there are some bands that will get exposure on MTV2 and land on OzzFest etc, and others that will be ignored forever and a day.
I'm here to support the underdog. Why review the next metalcore release that will only garner a 4/10 score, nobody will read, nobody will buy etc. We do not sell anything on our site, it's our hobby, so we write for ourselves.
Remember RC is self financed. I reject any notion that we will EVER sell ad space on RC. That banner I had for The End Records on the old site didn't cost Andreas at The End a single penny. I just supported him because he is the sort of guy I want to support.
But that has little to do with what's happened....
Again, I accept that people have differing opinions etc, I welcome that. I provide an open platform for people to write what they want plus provide the open forum for discussions such as these. I just don't see why I should continue to be uncomfortable with the people I work with. I mean, there's really not much more to it, I just couldn't handle the outbursts and melodrama any longer, so I made a choice.