I wouldn't say best form of music ever. It's actually very limited in its mode of expression, but if done well it can be quite expressive. Most of the good stuff has been mentioned so far, and I'm not sure why people are so keen on collecting hundreds of prog records when there's only a few good ones. The genre's lived its time and overstayed its welcome as far as i'm concerned.
now i'm listen a lot of camel
i like pink floyd too... roger waters is touring now and he will come to my country in march... can't wait for it
I've been listening to prog rock since I was a baby. I guess I've been very lucky.
By its intrinsic nature, prog is one of the styles of music with the broadest mode of expression. You are absolutely incorrect sir. You are going to tell me that bands as diverse as Sleepytime Gorilla Museum, The Dear Hunter, and Deus Ex Machina (to name a few newer bands) represent a style of music limited in its range? That is absurd. Prog is only as limited as the imagination and abilities of the members.
The Mars Volta is probably the best new trully progressive rock band.
"Deloused..." is easily their least good. They are quite far from "masturbatory waste" too, in a matter of fact, "Frances The Mute" is a simple album and not complicated at all, if you listen to it carefully. It is seemingly complicated and kinda fucked up, but in reality all the ideas are simple structured. "Amputechture" almost in the same quality with it, though i prefer "Frances.." for its emotional power.TMV are good but their only great album is their full length debut Deloused in the Comatorium. The rest are plagued with masturbatory waste and botched production experiments. Although L'Via L'Viaquez is a damn good song in the Santana tradition.
"Ambient passages" ? Now im curious on what exactly you mean? Everything in "Frances.." serves a purpose.In mine, Frances the Mute is overloaded with boring pointless ambient passages
Just because they are not totally "Wild and crazy" as you wished they were, it doesn't mean they don't have any value. So what you are saying is that you were just dissapointed by it, because it was not what you wanted, not that this is not good. Why you put At The Drive In and TMV in the same sentence anyway, it seems to me that you haven't realized that these are two different bands, that play different kind of music (that has some common elements and roots, yes), and of course there is no point of expecting the music to be the same.They might imagine such passages serve a purpose, but I'm into music to listen to music. When I listen to At the Drive-In or The Mars Volta, what I want is wild and crazy music that is fun to listen to and sing along to.
Quite a bit of "Frances The Mute" is nowhere near what you say it is. Most of it is simple music, as i told you before. When i say that they serve a purpose, i didn't mean only the concept, but the purpose of musical variety and creating a change of tempo and mood. And boy..do they succeed on that. Having an energetic bursting moment after some calm parts with acoustic guitars and trumpets, that serve the purpose of a growing tension, makes it even better.LuminousAether said:I really don't care if it's conceptual or anything like that. Quite a bit of Frances the Mute is relegated to lengthy passages that are just boring. They break up the flow of the album and they exist merely to make the album longer.
What? Most of the TMV fans i know (fans of "Deloused..." too) think that this is TMV magnum opus so far. I even became a TMV fan because of it. "Poorly written"? I can't see how is that. The ideas are all deliriously inspired and the way that they are combined shows how much the band has worked on them as well. Absolutely no flat moment. Have you really gave it a fair number of listening sesssions? And i'm not talking about listening to it as background activity while doing something else.LuminousAether said:Frances the Mute was the album that got an incredible amount of people to start hating The Mars Volta, and that's largely because it's poorly written.
I love "Relationship Of Command" nearly as much as "Frances.." but "Frances.." is probably superior. Its variety, HUGE inspiration, the hundrends of clever and fantastic ideas make it that way.LuminousAeuther said:I was a big fan of Cedric and Omar until that album came out. Now it's been years and the only song I listen to anymore is L'Via L'Viaquez, and even then I can't really stand to listen to the whole thing because of the repitition. To be fair, I don't listen to Deloused anymore either. It doesn't have much lasting power. I won't call TMV overrated because there are just as many (if not more) haters than there are fans, but I will say that I just do not really care for the band that much. At the Drive-In was MUCH better.
thanx 4 recommendationOne of the best - yes, the best one, nope, that title goes to "Mirage" in my opinion.