LavagesOfTime
evangelist of Threshold
I dont think any band copies DT.
Looks like you have never heard Altura, a prog metal band from the 90s. Some parts are EMBARASSINGLY cloned from Images and Words.
https://www.youtube.com/watch?v=-WJSg_WMC4o
I dont think any band copies DT.
I am always trying to expand my horizons and my tastes in metal/prog metal. I am a recent advocate for SX, but have been a DT fan for a while. Just took my son to his first DT show. Even at 14 he was blown away by Mangini's talents. Now just waiting on SX to tour and hit Dallas.
But I have yet to be able to escape the clutches of Redemption. I don't understand the bashing. The music is intense, and with a purpose. The lyrics are incredibly deep and profound. Ray sings Nick's material with such feeling and emotion. Yes, I love me some FW, but Redemption-- to me-- is Ray's flagship, utilizing his voice to extract the most gut-wrenching emotion possible from Nick's lyrics. I really don't get the hating on "Sapphire". That's the song that drew me to Redemption in the first place.
Earlier, someone mentioned you could ask 100 people who they like the most and get 100 different answers, with 99 people bashing the other person's choices. Its a personal preference. Everyone is entitled to their own opinion. Whether like or hate Redemption, you are entitled to your opinion. In the case of hating on Redemption, however, your opinion is WRONG.
Looks like you have never heard Altura, a prog metal band from the 90s. Some parts are EMBARASSINGLY cloned from Images and Words.
https://www.youtube.com/watch?v=-WJSg_WMC4o
The entire "prog metal" genre copies Dream Theater, and most of it is unremarkably boring. Dream Theater, in turn, rips on so many great 70s and 80s acts it isn't funny. Especially when they lift not just tones, but riffs and melodies wholesale.
I don't know about that. "crap" Jazz is more interesting to me.
Watching paint dry is more exciting than listening to bands that do the following only because they've decided it's a recipe for awesum muzak:
-odd time signatures (to sound complex, and don't contribute to the song)
-polyrhythm (see odd time signatures)
-philosophical lyrical themes (with glaringly obvious indication that the writer doesn't know a damned thing about what they wrote)
-orchestration (because it's more epic right?!)
-every band member gets a solo, every song
It's not that any of these things are intrinsically bad. But there's a recipe for disaster when they are all used together in try-hard-to-be-impressive ways. It smacks of the ignorance of music as an art form, where negative space can be just as important as all the cacophony on the canvas. These bands just don't get that.
