A8
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- Jul 29, 2007
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In terms of Classical Hollywood Cinema it is pretty much the pinnacle of filmmaking. And no, the acting is not sucky like Ozzman said. Welles does a wonderful job and so does most of the rest of the cast.
The reason the film is so interesting is because of its experimental, highly evocative use of lighting, mise-en-scene (the use of visible ceilings, for example), cinematography (specifically the use of deep focus to frame scenes with little editing and extreme high/low angle shots) and its highly complex frame narrative structure. All of this coupled with a story of a wealthy and once well respected media baron descending into obscurity, madness and loneliness makes the film extremely intriguing, to say the least.
If you have the DVD version I'd suggest watching it again with Ebert's commentary turned on, as he points out many of the subtle meanings embedded within the film's aesthetics. And understanding CK's aesthetic symbolism is key to appreciating why it is heralded as such a grand achievement in the history of film.
Good points and i do understand that the movie was basically a break through for filmmaking. I loved how they made his age progress throughout the course of the movie because it was extremely convincing (especially for back then),and the camera angles that were used. But just because the mise-en-scene was excellent doesnt make the movie as a whole excellent. I'm not saying that the acting was bad, but it wasnt great either. Something about it, as strange as this may sound, did not convince me. That's just my opinion.
However, i'm very interested about hearing Ebert's commentary so maybe i'll pick up the DVD sometime. I'm sure that there is probably more to the movie than i'm seeing, but i'm not so sure.