rms
Active Member
Ok, maybe. I was just saying I can't really handle a CGI set movies, always surprised that isn't more of a critique.
Karen, a young nurse who works in a psychiatric ward, boards the last subway train of the night only to have it stop suddenly in the middle of the tunnel. As those around her are brutally murdered, Karen and a handful of survivors must face supernatural forces, homicidal religious cult members, as well as their own fears and suspicions of Armageddon, in order to survive.
On Halloween, a group of friends encounter an "extreme" haunted house that promises to feed on their darkest fears. The night turns deadly as they come to the horrifying realization that some nightmares are real.
The inventor of the condom-- now God's bounty hunter- is tasked with tracking down and capturing the Devil, who has possessed the body of a high school wallflower in order to feed on human souls via sex.
A homeless street musician becomes a demon when sexually aroused.
A storekeeper leverages a local witch's ability to call upon the mythical beast Pumpkinhead to exact revenge upon the death of his son.
A young cowboy is seduced by a new girl in town only to find out he has been kissed by a
vampire. Slowly turning into a creature of the night, he is persuaded to join up with the girl and
a roaming band of ghouls. But when his own father and sister become targets in the vampires'
endless search for 'food,' he is forced to choose between loyalty to the vampires, or loyalty his
own family. 'Near Dark' is a stylish and brutal mixture of horror, western, and action
conventions from director Kathryn Bigelow
classic, awesome remakeRemake of the 1958 horror sci-fi about a deadly blob—which is the spawn of a secret government germ warfare project—that consumes everyone in its path. Teenagers try in vain to warn the townsfolk, who refuse to take them seriously, while government agents try to cover up the evidence and confine the creature...
A small town is disrupted with the arrival of Dracula to retrieve an amulet controlling the
balance between good and evil.
Nathan Crane is a religious man trying to hold onto his farm and keep his family in line. A real estate developer is trying to buy most of the farm property in the area, including Mr. Crane's family farm, in the hope that the Tennesse Valley Authority will choose the town for the site of a new dam and recreational area. The night of a terrible storm, an unidentified, glowing object crashes on the Crane farm and with it comes a horrible curse for the Crane family and the members of the community
Max, a genetically mutated dog endowed with intelligence and other special abilities is accidentally released from the lab of Dr. Jarret by news reporter/animal rights advocate Lori Tanner. Max is lovable at first, but also proves to be a ferocious, unstoppable killer.
Fuck yes....both awesome flicks. You doing this 31 horror movie Halloween thing or what?Oh yeah I love Near Dark. Also, that Blob remake is fucking awesome.
Yeah man I'm 16 movies deep so far.You doing this 31 horror movie Halloween thing or what?
@Vegard Pompey has me interested to watch Saw IV now.
I found this movie endearing, although I hear you about length. For whatever reason, the run time didn't bother me. I enjoyed the opening frame narrative (which I thought was compelling on its own) and all the metaphysical, paranoid cult stuff. I also really liked the scene when the protagonist visits the old cult site or whatever it was, and the bonfire sequence. Thought that was really well-filmed.
9. The Empty Man
Super fucking mid-tier mystery/cosmic horror. Poor pacing and overly long. Decent acting saved it from being "bad" but only barely.
The new one is what's fueling any desire to get through them all. I've heard pretty good things. Why do you not plan to see Spiral btw?Haha, I've always had a soft spot for the series so I'm probably giving it a pass for a lot of flaws. I binged all of them in the past couple weeks (including the new one, and excluding Spiral because fuck that one) and I liked most of them but IV might be my favorite. I love how incredibly convoluted and twisty the stories get around III-VI.
The new one is completely different and really cool. I think even some haters of the franchise would like it. It's a languidly paced horror-drama told almost entirely from the perspective of John Kramer. I walked out when the movie ended, like an idiot, and missed a post-credits scene setting up a sequel centered on my favorite character who isn't played by Tobin Bell.
Yeah I'm not surprised to read you like that one a lot. You're the cosmic horror guy. I can't help but feel like I wasn't in the right mood when I watched it.I found this movie endearing, although I hear you about length. For whatever reason, the run time didn't bother me. I enjoyed the opening frame narrative (which I thought was compelling on its own) and all the metaphysical, paranoid cult stuff. I also really liked the scene when the protagonist visits the old cult site or whatever it was, and the bonfire sequence. Thought that was really well-filmed.
Anyway, just my two cents, I wouldn't defend it to the death. But I've rewatched it and still enjoyed it.
The new one is what's fueling any desire to get through them all. I've heard pretty good things. Why do you not plan to see Spiral btw?
I should change my handle to "Cosmic Horror Guy."The new one is what's fueling any desire to get through them all. I've heard pretty good things. Why do you not plan to see Spiral btw?
Yeah I'm not surprised to read you like that one a lot. You're the cosmic horror guy. I can't help but feel like I wasn't in the right mood when I watched it.
Detective John Hunton is investigating an iron folding machine that has found a taste for eating people. While he tries to solve the mystery, Bill Gartley, the owner, wants to find new victims for his machine.
In a very old textile mill, with a serious rat infestation, the workers discover a horrifying secret deep in the basement.
The small town of Tarker's Mill was a place that was very peaceful, where nothing ever happened. Until one night, murders begin. The town people believe its some maniac killer on the loose and intend to hunt the man down. Marty, a young handicapped boy, believes that the killer is no man at all, but a werewolf.
Seven people are trapped in an isolated farmhouse and living an unspeakable nightmare. Cannibalistic zombies have been awakened from the dead and are on a relentless killing and eating binge.
Ted, a photojournalist, has a terrible secret: He's a werewolf. With nowhere else to go, Ted turns up at the home of his sister and her son. To them, Ted seems fine. But the family dog, Thor, senses something terribly wrong.