ETID tone (which btw can't emphasize how happy I am that it got remixed/mastered for the Holiday album)
I didn't know ETID got remixed for the compilation. How is it different?
First of all, and because this really bugs me. People complaining about how good the old tone was and how it'll never be like that again: are you just plain deaf or your brain has some sort of process through which it transforms any new Bodom tone into a horrific mix of AYDY's and BD's worst tones mix? Because otherwise I just don't know what the fuck's going through your head, but don't laugh at Joonas' "music colours" theories because yours with the tone isn't better. Yes, there's no OMG GP1000, but this album's tone blows SW's crappy's and HB's excruciatingly dry's tones out of the water, and can easily compete with FTR and HCD if not be better. And no, I'm not talking ETID tone (which btw can't emphasize how happy I am that it got remixed/mastered for the Holiday album), I'm talking about the actual FTR album tone. Ok, rant nº1 over. Now on to the mind bogging.
Ok, I thought everybody would figure this out, but since it seems that nobody does I'll just slip it in here:
THIS ARE 10 SECOND SAMPLES!!!
Everybody was waiting for the orchestra hits and amazing FTR vibe from Bodom Blue Moon because it's what the reviews said and they just gave you the heaviest riff of the song and no melody, and all of a sudden it's RRF all over again and it's gonna be the worst? Take the samples for what they are, 10 fuckign second snippets, that's it. If you wanna go into the "oh but I hear the ultralow volume rest and it's shit/great" go ahead, but as nice as it is to have something, this is in no way representative of the songs themselves.
When they released the Shovel Knockout interview with Matt Hyde all we could hear was the melodies, and then the song came out and it started all thrash and strong, which don't lie because nobody was expecting. Which all goes to say: wait until the full songs are out before both crucifixing onr enthroning them.
That said:
Bodom Blue Moon: whine about it all you want, but the riff is not bad at all, although could have used doubling on the "lead"/"melody"/whathaveyou.
Your Days Are Numbered: I am very, very excited for this one. Also, there you go you orchestra hit lovers.
Dead Man's Hand On You: I will have to wait for the full song, but doesn't look too bad. Still a bit skeptical on the clean guitars/vocals, will have to wait till I hear them I guess.
Isn't the album already completed long ago? And they did a solo today? Wtf is going on.
I didn't know ETID got remixed for the compilation. How is it different?
To be honest, I couldn't pick out any notable differences between the two, but then again I didn't listen to it more than a few times. If I had to go out on a limb, I would say that the tone is crispier, clearer on the new version.
WTF....
I can recall only one person in this thread even mentioning tone recently and according to you "EVERYONE" is freaking out. Seems to me like the majority of the forum is very much digging the samples and pleased.
You should really calm down. Quality of discussion here really sucks lately.
Then you really haven't read much. Actually, you didn't even read what I said. I said "people", which is not to say everybody, but the sense of the comments has been that, and sorry for not atoning to your preferred wayss of discussion and utilizing a big font to highlight a quite important point that quite some people seem to be forgetting.
THESE*
I love this kind of argument "i say this being guitarist myself", as if there were no shitloads of great, known and respected guitarists with terrible tone. I don't like the RRF tone, moreover I think it's amongst the worst.
First of all, and because this really bugs me. People complaining about how good the old tone was and how it'll never be like that again: are you just plain deaf or your brain has some sort of process through which it transforms any new Bodom tone into a horrific mix of AYDY's and BD's worst tones mix? Because otherwise I just don't know what the fuck's going through your head, but don't laugh at Joonas' "music colours" theories because yours with the tone isn't better. Yes, there's no OMG GP1000, but this album's tone blows SW's crappy's and HB's excruciatingly dry's tones out of the water, and can easily compete with FTR and HCD if not be better. And no, I'm not talking ETID tone (which btw can't emphasize how happy I am that it got remixed/mastered for the Holiday album), I'm talking about the actual FTR album tone.