How do I know you're not saying that just because you think anything with an optimistic/sentimental mood isn't what Priest is "supposed to" sound like?the vocals are cloy and saccharine
http://starling.rinet.ru/music/judas.htmI can count only one serious misfire: the overblown operatic ballad 'Here Come The Tears'. It's fashioned so disgustingly in accordance to the classic laws of all power ballads that it simply reeks. Opening melancholic acoustic guitar? You got it. Screaming "emotive" vocals? Sure, especially in the laughable 'I want to be lo-o-o-o-ua-ua-ua-ved!!' section. An onslaught of monotonous power chords and an obligatory 'cathartic' guitar solo? Right away, sir. I hate this song, it's so dang worthy of similar efforts by Aerosmith...
Which is not to say I hold similar emotions for 'Last Rose Of Summer'. When I first heard the song, I couldn't believe my ears... I almost figured I was listening to a San Francisco band like Love or a particularly expressive Stevie Winwood ballad. The song's got impeccable harmonies, gorgeous vocal hooks, blistering guitar interplay (slightly 'phased out' acoustic rhythm and economic, but tasteful electric licks woven around), and a lengthy coda which burns into your brain as one member of the band chants 'last rose of summer' and Halford wails in the background a la Robert Plant. Certianly the least idiosyncratic song in the entire Judas Priest canon.
I was busy this weekend so sorry for missing the fallout of my jab at @crimsonfloyd, but it honestly blows my mind that someone would single out Last Rose of Summer as the most offensive track on Sin After Sin while giving Here Come the Tears a complete pass.
How do I know you're not saying that just because you think anything with an optimistic/sentimental mood isn't what Priest is "supposed to" sound like?
Here Come the Tears' lyrics could've been written by a 13 year old, and regardless of that Halford's metal screams are clearly over-the-top in a song this downbeat/melancholy. To me it's a classic case of a metal band failing at a style that demands more subtlety than their signature style. Maybe Priest had no more business experimenting with the sentimentalism of Last Rose than they did with the melancholy of Here Come the Tears, but Last Rose at least has a subtlety that's sorely lacking on Here Come the Tears.
Actually it's a pretty common thing to discuss a metal band's ballads separately from their other material, but good to know you're the authority on credibility around here.The fact that you would even think of comparing it to Last Rose of Summer damages your credibility.
In high school I had this thing with my parents that when I did all my homework for X days (i forget the length of time) they'd buy me an album of my choice. I had heard some JP classics on the radio and Breaking the Law on Beavis and Butthead and so I asked for a JP album one time. They bought me the latest one which was Jugulator. Oh god it was such garbage, even back then. That was my first JP album and I thought so poorly of them for awhile. Until one day I went to visit an uncle who was swearing off of metal, and gave me his old school JP and Black Sabbath collections. Thank goodness for that.
The cabaret singing, overstated keys, drown out guitar, god awful lyrics, god awful concept and unforgivably dragged out pacing make this a release that only a ridiculously huge fan could love. I am a ridiculously huge fan (I even love Point of Entry and Turbo), and one must understand that the band has already achieved everything of importance that they could (in the 70's). They're old now. They're fucking old now.
Jugulator is bad, but Demolition is terrible. Just survived both albums back to back. If I never hear them again, it will be too soon.
I'm gonna ram it down your point of entry and make turbo love.
Here's one:
Angel of Retribution is better than British Steel
Turbo is a bit more commercial sounding than Point of Entry, but at least they sound like they actually tried on Turbo. More than half of the songs on Point of Entry either sound boring (Troubleshooting, Solar Angels, Turning Circles), or just plain stupid (You Say Yes, All the Way).
In conclusion, Turbo is better, because it's fun to listen to without sounding dumb. It's a nice party album.
I also noticed that Point of Entry has a lot of shitty tracks. Turning Circles, You Say Yes, and All the Way must be like top 5 worst JP tracks ever.
...Redeemer of Souls. That record just crushes your face.
rocka rolla is pretty great but a bit haphazard. it lacks total focus but has some fun songs.
So what's the most "metal" Priest album?
defenders of the faith because there's nothing more metal than sucking on a big veiny cock
By the time they get to Stained Class they're like "ok, we just defined what heavy metal is, so what now?" So they went back to their roots a bit with Hell Bent For Leather - more of a rock n roll vibe.
So what's the most "metal" Priest album?
Painkiller, because it's the most metal album that fucking exists.