keep dreaming. those days are long gone. they're a corporate cash machine now. they don't have to try.
keep dreaming. those days are long gone. they're a corporate cash machine now. they don't have to try.
the blood, sweat and tears of the jester race/whoracle/colony days have long been replaced by designer clothes, martinis and ego. sorry, but it's true.
Anyways... Hi gays!
I'm looking forward to another melodic death NU-metal masterpiece by N'Flamez!
In the meantime, if you have any question about Siren Charms, I'll be glad to answer you.
In the meantime, if you have any question about Siren Charms, I'll be glad to answer you.
Is the rest of the album as awful as what's been released so far?
About the solos I think you can forget them. Björn always uses pedals and it's annoying as hell. As I've written on the track-by-track, the one from "Filtered Truth" is the more decent one (not counting the bonus tracks which are definitely superior).Are there any decent riffs, melodies or solos?
Live (Wacken 2012) it's a fucking catastrophe. If his name was Peter "Unknown dude" Peters, I honestly think 99% of the crowd would laugh at "drunk dude trying to sing on stage". Why try something you can not do over and over again? No amount of keyboards, pedals, backing tracks, effects and other stuff will ever remedy that.
Hey hey hey hey there... Wacken 2012 was pure sickness or worn downness (which Anders' voice is so much more prone to than most vocalists)
Cloud Connected live at Open Flair 2013 on Youtube his voice was pretty damn good : ]
It was okay-ish, but that was screaming, not clean singing.
When doing the chorus part, he screams/sings out of tune and improvises to cover for the missing "studio magic". And that was RTR song. Not nearly fucked up like the stuff they recorded after.
On the first listening, the album seemed really awful, all songs were like Neo/Rock ballads and Anders' constant whining was getting boring only after two tracks.
That might be surprising but the two singles are the songs that are the more reminiscent of In Flames so far.
There's this track "Dead Eyes" you'll probably find awful because of its chorus. And there's also "When the World Explodes" with its lyric female singing that just sounds weird and out of place.
However after about ten listenings I can tell you I appreciate most of the album but I don't really listen to it as an "In Flames album", it is clearly too different for me. That's more some chill-out Rock album with easy-listening and catchy tunes.
I've already made some ranking of the tracks:
- the ones I don't like because they're boring and basic:
Everything's Gone (bad Neo/Metalcore)
Siren Charms (plein dull)
- the mediocre ones with only some catchy hooks:
Through Oblivion
With Eyes Wide Open
Rusted Nail
- the more dynamic and better written ones:
In Plain View
Monsters In The Ballroom
Filtered Truth
The Chase
- the ones that keep getting better and better:
When The World Explodes
Paralyzed
Dead Eyes
Become The Sky
About the solos I think you can forget them. Björn always uses pedals and it's annoying as hell. As I've written on the track-by-track, the one from "Filtered Truth" is the more decent one (not counting the bonus tracks which are definitely superior).
Riffs are mostly basic modern riffs like we've already heard on Sounds Of A Playground Fading, nothing to really be amazed at. Some are efficient and groovy though.
As for the melodies it depends on what you like. Lead guitars are mostly in the background in the mix and synths are very present. That creates catchy melodies at times and that's it. My favorite ones are the riff from "Become The Sky" which really gets in your head, and all the arrangements on "When The World Explodes" which are perhaps eerie but also daunting.
Don't expect any groundbreaking songwriting.
Got to listen to "Everything is Gone" on Sirius/XM here in the states.
Fuckin WAAAAYYYY better than Rusted Nail and Through Oblivion although to be fair, Through Oblivion is more of a chill song.
Screams were real heavy in this song, nice heavy lead riff and choruses vocally were nice and brutal. A bit heavier than the screams on ASOP and SOAPF
Cleans in the verses were pretty nu-metalish but clear sounding and reminded me of the style of singing Anders did on Reroute and STYE
Some faith has def been restored in the new record. It's not 15 years ago, but it's still metal.
In Anders' interview posted earlier, he said the company basically picked what singles we'd hear first. I really think they should've released "Everything is Gone" as one of the singles because that way at least people would see that they're still relatively heavy and not hammer them so bad online about it.