Booooll crap. I also read the cg artist interviews and all that, but saying the movie don't have lots of effects through a stupid percentage is just... stupid. In lack of other words to describe it. Maybe 2% of the budget was cg, but a lot more than 2% of the frames in the finished cut included cg.
Also, when was use of interesting cg bad anyway?
Hot Fuzz was ok, as was Shaun of the Dead, but those guys can do better. The first series of Big Train was absolute comedy gold.
Take the shots of the dying nebula. You know what those are? Pictures of expanding yeast cells. I read an interview somewhere that Aronofsky said at least 90% (I believe it was 98%) of the movie was done without cgi
Emily Bronte's Wuthering Heights. Director: Peter Kosminsky. Actors: Ralph Fiennes and Juliette Binoche. British, 1992. Binoche plays the roles of Catherine and Cathy. Movie.
Nevermind, it's this one that I've seen:
Emily Bronte's Wuthering Heights. Director: Peter Kosminsky. Actors: Ralph Fiennes and Juliette Binoche. British, 1992. Binoche plays the roles of Catherine and Cathy. Movie.
No idea why I thought Polanski was the director
And that makes it more real? It doesn't matter what approach you use when the result is the same, bragging about not using 3d models (often refered to by idiots as CGI) isn't the same as bragging about not post producing it on a computer (often ignored by idiots).
Read: http://en.wikipedia.org/wiki/Computer-generated_imagery
And would you know that or care about that if they didn't tell anyone about it? No. It's cool and all that they did it but doesn't in any way help the movie as a whole from the "omg everything is so fake nowadays with their digitals" whinery.
Peter Parks is a specialist in macrophotography. Working out of a refashioned farm-house outside of London, Parks cooked up soups of bacteria and different fluids to depict the deep space effects in ‘The Fountain’. Taking a leaf out of the Stanley Kubrick book for convincing in-camera visual effects, Parks’ contribution is a tremendous achievement.
“We used his elements as the basis for much larger canvasses that we would design and execute,” Gieringer continues. “In simple terms, the elements we used were from the real world (macro-photography), but the ways in which they were combined were CGI based. After the macro-elements were created, Peter left it to us to take them to another level.” In the end cut of “The Fountain,” the Intelligent Creatures VFX crew created about 234 shots for Hugh’s overall voyage.
Simon Pegg must be one of the most overrated comedians ever to have existed. The best Simon Pegg stuff is Spaced imo, but even that isn't as good as people make it out to be.