Vegard Pompey
ALLY TO GOOD, NIGHTMARE TO YOU
Haven't seen the movie, I just wanted to feel included.
yeah, this is what she said but I think the movie had to do a little more here to demonstrate this was at all feasible and actually planned.
think the grandma wasn't needed for any of this at allgoofy family as is. unless granny made her sleep walk to try and kill Peter
so, why did the end ruin it for you? missing something here
Haven't seen the movie, I just wanted to feel included.
As far as planning goes, it was all in place before the movie even started. That's apparent enough from the outcome itself. I don't think anything more needed to be established within the narrative.
but then the argument is grandma/joan tricked Charlie to going to the party, orchestrated the events that Peter would push her to the cake, have her eat the cake and stick her head out the car (dumbest shit ive seen) and then kill the deer/sheep/ram and have him go that way around it. that's a lot of steps you're just rolling with "well she planned it"seems like a large leap
with the rest of your quote, I guess we followed the movie in the same way. it went hollywood (over-explain) coupled with forcing some plot holes into the grand plan. when Annie was on the ceiling in the corner the first time that was awesome, gotta love that. and the bald dude with his teeth showing. A+
Haven't seen the movie, I just wanted to feel included.
in my head, i just heard someone say this while wearing a Starfleet uniformstar wars fanboys suck lets be honest
The ending was campy, which in and of itself doesn't bother me. I love camp. My problem with it in this film is that it clarifies the supernatural aspect, and situates this aspect firmly within the realm of demonic ritual. I enjoyed the ambiguity leading up to this, when the film straddled the uncertainty between genuine possession and mental health, and foregrounded the themes of familial taboo and maladjustment over the themes of satanic belief. The ending wasn't bad, I just enjoyed the indeterminacy leading up to the ending more than the ending itself. I get that the movie was giving a nod back to classic '60s/'70s horror, I just don't quite understand why.
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.Thought Arrival was just ok.
The military stuff was pretty gay
Seen all of these apart from Blow Out and The Fly now, good recs.SECONDS is by the same director as THE MANCHURIAN CANDIDATE but even better IMO, and has some similar themes. THE PARALLAX VIEW is another classic in that department. BLOW OUT, NIGHT MOVES and THE CONVERSATION aren't exactly govt conspiracy stuff but they share that '70s paranoia. i think COMBAT SHOCK is a good recommendation for ERASERHEAD fans, not sure if that's just me though. you'd probably like cronenberg stuff like DEAD RINGERS and THE FLY.
But for now I'm finishing a little work with The Descent on in the background. I forgot what a good movie this was
Watching this right now for the first time. Heard many good things and I loved his previous film Dog Soldiers. Also, all the lights are off, I'm going all in lmao.
Btw are you a fan of District 9 and/or Elysium?
On a different note, I love when Matt Damon is about to get his cyborg operation procedure and the character giving it to him says "Get out the bone saw!" There's a really good IPA made here in Cambridge called Boom Sauce. So now whenever we have that in the fridge, I like to shout "Get out the Boom Sauce!" It's dumb, but Elysium has solidified its place in our household, haha.
don't remember the sequel being that bad, just a different vein than the first one. The Descent rules though