The Greys said:I don't hear deliverance in morbid angel enough where I would just not listen to it listening to morbid angel instead. You still can't get the best of each band with the other. Both bands are very very different regardless if mikael pointed out deliverance has morbid angel riffs and you can hear influence. Deliverance is still not a tribute to morbid angel. 'Deliverance' is very much opeth sounding in traits and characterics. I like morbid angel but a lot of times not really into listening to blast beats. I would not say Deliverance is a high point for opeth but I still very much enjoy it. I probably prefere deliverance over ghost reveries.
I didn't say the whole album sounded like Morbid Angel. It obviously doesn't. You said you liked it because it was so heavy and I am merely pointing out that most of the points on that record where it gets "heavy" are bits that sound a lot like Morbid Angel, which is true.
Deliverance is just clearly Opeth not firing on all cylinders. The "clean" parts aren't interesting enough and the heavy parts sound borrowed and forced, and the whole album sounds like riffs pro-tooled together (which some might argue is what every Opeth album sounds like but I disagree with that). And then there's some trademark Steven Wilson'isms thrown into the mix which mostly sound misplaced too (unlike on BWP where they actually fit much better).