Saw two Lynch films recently, Mulholland Drive and Seven.
Pat, at the risk of being an antagonistic prick (as usual), I want to ask: what is it you consider so great about Seven? I thought Mulholland Drive owned the shit out of it. Not that Seven was bad (it's good), but in the end it struck me as little more than entertaining, whereas Mulholland Drive was incredibly fascinating and even educational on an emotional level.
Seven is directed by David Fincher, not Lynch.
And what I find fascinating about
Seven is the layers of storytelling. On one level (the surface), you have this hardboiled detective story about two guys trying to solve a series of murders. Go deeper, and you have these two utterly different epistemes vying against each other. The film works in several different ways; as a suspense story, as an ethical dilemma, as an inquiry on insanity (what constitutes insanity in contemporary culture?), as a literary criticism, as an exploration in urban decay, as a bildungsroman (of sorts), as a morality play... the list goes on.
Mainly, I find the literary references poignant and relevant, the acting is superb, the directing and cinematography is some of the most depressive and aggressive you'll ever find, and as far as editing goes, there are almost no mistakes (maybe none...).
Basically, thematically and aesthetically, it's damn near perfect.
Of course, all this is my opinion.
I'd recommend you watch it again. And maybe again after that. You'll notice things (subtle touches) that really enhance the story the more you watch it.