The Official Movie Thread

re: @rms, both are intense psychological horrors with a reputation for sexual frankness, and more specifically both are manifestations of a couple's grief over their tragically killed child. i'll grant you DON'T LOOK NOW is more of a slow burn but it probably seemed similarly extreme in its time.
 
I like Antichrist the best. I haven't seen any other movie dive so deep into pure existential horror..

I felt like this was pure arthouse drivel disguised as a horror movie.Scarier than anything in the actual movie is the thought of seeing Willem Dafoe naked.
 
re: @rms, both are intense psychological horrors with a reputation for sexual frankness, and more specifically both are manifestations of a couple's grief over their tragically killed child. i'll grant you DON'T LOOK NOW is more of a slow burn but it probably seemed similarly extreme in its time.

hmm don't really remember the sexual frankness but the general plots do seem to line up
 
No, never even heard of it. Should I try to see it?
Well, it depends if you want to see an exploitation documentary centering around transsexuals. Its very much in the style of the classic Italian Mondo's (Mondo Cane, Goodbye Uncle Tom, ect...) and in the grand mondo fashion it mixes actual documentary footage with hyper-sensationalistic staged scenes (castration vis chisel anyone?). Of course, like any other film that uses that tactic, Wishman's intentions become a bit murky (ie, serious look into transgender lifestyles and gender reassignment surgery or exploitative freak show) and Wishman has stated she felt none of the people profiled were exploited and were more than happy to be in the film.

What makes it especially interesting is the participation of Leo Wollman, an actual doctor who spent the better part of his career assisting with transitions, both male to female and vice-versa. Given the advancements in science and medicine in the time that's passed since the film was made, a lot of the medical stuff is way outdated but nevertheless having a real specialist in that field in a film like this gives it an extra boost.

Over the years its gained quite a reputation as somewhat of a cinematic endurance test, mostly because of the surgical stuff (which isn't dramatized) although in truth, its a lot less "shocking" then it probably seemed back in the 70's, although when taken as a whole the film still packs a hell of a wallop. Feel free to take that last bit as a pun. Its as niche as niche can be and has proven to be an acquired taste even amongst fans of fringe/exploitation/cult whatever you want to call it cinema. Most everyone else will probably be nauseated and triggered into their safe spaces like pussies. Highly recommended.
 
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The Coast Guard (Kim Ki-duk, 2002) - Kim gets political with a none-too-subtle middle finger to involuntary military servitude, jingoism and the issues at the border of North and South Korea. Fear not though. Kim's message is clear but this is far from a preachy "message" film if that makes sense. Also, knowledge of the border tensions between the two Korea's isn't needed either (there's a brief explanation at the beginning of the film though) as the central drama is more than enough to keep anyone who can take to Kim's idiosyncrasies. Being a Kim film, said central drama is built around two mental cases, a soldier who mentally unravels, unable to deal with the weight of killing an innocent young man thought to be a spy after sneaking into a restricted military area with his girlfriend for a shag, and said girlfriend who goes loony after the killing and starts fucking every solider at the base!

Pretty heavy stuff. Ultimately upsetting but with a smatters of brilliantly composed, at times surrealistic imagery and equally gorgeous music. Also, new drinking game. Take a shot whenever a character gets the shit kicked out them or is called a bastard. You'll be out by the 40 minute mark. Then again, some might need alcohol to cope with all the mental anguish on display. Kim rules.
 
Saw The Witch, A+ horror movie above the normal schlock. Few movies make me feel uneasy because I know they're just seeking to shock me but the last 10 minutes of this one fucking creeped me out.
 
The Witch was good. Not quite was it was hyped to be, but I still really enjoyed it.

To be honest, one of my favorite recent horror films was It Follows. I thought that movie was great.

Most recent flick I saw in the theater was Midnight Special, most recent effort from Jeff Nichols. Not as good as Take Shelter, but still very good I thought.
 
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I heard The Witch is incredibly similar in style to that of It Follows, true? Wasn't a huge fan of It Follows but atleast it had a theme that brought back the old days.
 
I heard The Witch is incredibly similar in style to that of It Follows, true? Wasn't a huge fan of It Follows but atleast it had a theme that brought back the old days.

I wouldn't have said they're similar, beyond the fact that they're both outside the norm for typical contemporary horror.

It Follows was more interesting to me for the conceptual layers that Mitchell loaded into the film. For example, the trend in contemporary teen horror flicks is that sex is somehow a sign of impurity, and that sex invites disaster. Mitchell does this, but then he treats sex so irreverently. What I mean is that in other horror movies the characters must stop having sex in order to defeat their foe; but in It Follows, the only way to survive is to keep having sex. It's an awesome twist on a tired theme.

Besides that, the film is weirdly detached from any identifiable historical moment. It looks contemporary, but then we have all these old cars and barely any technology (except for Yara's weird seashell reader thing...). Also, the season is indiscernible. Jay goes swimming multiple times, but people are also always wearing coats and sweaters. The vibe is more like fall or very early spring (which plays nicely into the sexual theme - the ambiguity of purity or perpetual shame...)

Finally, the film is geographically really interesting, probably most interesting to me in this respect. My wife grew up outside Detroit, so all the references to the housing crisis, unemployment, and urban boundaries I find to be compelling.
 
It Follows does bring up the 70s/80s slasher and an element of Candyman, I agree, but the film didn't work for me as well. I'll probably give it another shot eventually.

But i've seen Follows and The Witch critiqued/salmmed as "hipster horror."