i thought GOODNIGHT MOMMY was exquisitely made but pretty meaningless. i was much more impressed by the 'how' than the 'what' or the 'why', the more it reveals about its intentions the less interesting it becomes. still liked it a lot from an atmospheric standpoint though.
i expected to like IT FOLLOWS more than i did, but i think we already had that conversation. i like it subtextually and some of the compositions are unbelievably menacing, but... it's kind of all subtext, no text, for me. didn't really connect to it beyond a cerebral level, and i find it ultimately more interesting to chat about than actually experience. it does seem like something that could 'click' on subsequent viewings though.
still haven't seen THE WITCH but i'll post my thoughts when i do. A FIELD IN ENGLAND remains my favourite horror movie of this decade, although that's more like WITCHFINDER GENERAL having a bad acid trip than a conventional horror movie. i do think it's waaaay more rich thematically than most people give it credit for though.