Einherjar86
Active Member
View attachment 29322
Pretty impressive debut right here. The director Mark Toia is an Australian who has been making advertisements for like 20 years and recently decided to try his hand at film. He and his wife bankrolled this whole thing with their own money apparently which is surprising because the CGI doesn't feel like it.
Looking around I'm seeing people describe it as "RoboCop meets Predator" which isn't too far off or anything but personally I'd go with something more accurate (and less hype/complimentary) like CHAPPiE meets Rambo 2, with a pinch of Rambo 4 and The Terminator franchise. The cast gets put through a gauntlet. It's violent as shit, the robots are animated with some class, the acting isn't too awful for a bunch of mostly nobodies (the director could afford one "star" and he chose Neal McDonough) and there is some cool use of old school gore effects which was a nice touch.
Definitely recommend for anybody who likes a nice simplistic action/sci-fi/survival shoot 'em up, which is a rare thing for a 2020 movie.
Just checked this out--what a fun yet simultaneously impressive film. I wasn't prepared for the high FX quality; the only times it really suffered was during the robot-on-robot fights, but still better than most of the big budget CGI flair.
I agree about the acting, for the most part. Some of the script is contrived, but exposition of science-y stuff can be difficult. I was also moved by the film's political investments re. US occupation in foreign countries.
I mean, what a historical moment to have a young boy crying over the corpse of his father, and to linger on that shot for a seriously long time.
I feel like there's also a subtext about complicity. A lot of characters (mainly white/US characters) bear some responsibility for what happens, even if they exhibit remorse. And the film pulls no punches with its body count.
I feel like there's also a subtext about complicity. A lot of characters (mainly white/US characters) bear some responsibility for what happens, even if they exhibit remorse. And the film pulls no punches with its body count.