no country for old wainds
Active Member
- Nov 23, 2002
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I really love the rigour of composition and getting things right, but then how do you then invest it with a life? How do you make it fresh every time? There are different ways to do that: you can maybe make your keys a bit sticky or your strings a bit dirty; it's like putting obstacles in your way. You just change the set-up ever so slightly so you have to really live it rather than just go through the motions. I'm really fascinated by the notion of contradiction in general. I'm more and more thinking about this word and thinking that it's at the heart of everything; it's like the governing energy is contradiction.
the other album i mentioned is even more personal and really fucking intense in places, like he's exorcising some pretty nasty baggage. he's quite a weird and interesting dude, his live shows are like a mixture of music and standup comedy. he's also a recovering alcoholic who loves iron maiden, so he'd fight right in on this forumThe original idea was to have two albums interweaving together, like two coiling albums. There was going to be one album of songs and one album of brass that was going to be narrated. I was thinking about all kinds of actors who could narrate it – I was thinking about Harry Dean Stanton and Michael Gambon and Samantha Morton. So I would have this pre-medieval, early middle ages story unfold with a narrator and a backdrop of brass and this futuristic set of songs coexisting
so he'd fight right in on this forum