I thought most of the criticisms were harsh and were absolutely due to people expecting a more traditional or balanced biopic. It wasn't perfect but I really liked it.
I didn't think it was stylistically like Lynch, but there's definitely a Laura Palmer vibe to the Marilyn/Norma Jean character. I've seen a few comments that it was misogynistic and that Norma Jean is portrayed as an airhead but I don't agree with that at all. The essence of this fictional version of Norma Jean is that she's naive, child-like and too fragile for the world, but there's scenes like where she's giving feedback to Arthur Miller or referencing Chekhov that absolutely demonstrate a level of intelligence that she's never credited for. She's just too compliant, or semi-autistic, to reveal it more often. She's even shown exhibiting an early form of method acting in a rehearsal which gets disapproved of by the studio execs (which frankly is more complimentary to Marilyn than real life because she was very limited as an actress).
I liked how Dominik avoids the usual highs-and-lows biopic cliches - here even the most famous scenes from Marilyn's life which we all recognise are stripped of every vestige of glamour (eg the sewer grate, meeting Kennedy). The daddy issues were laid on a bit thick though, it basically becomes Dominik's version of 'Rosebud'.
The Cave/Ellis soundtrack was a winner too.
@CiG what did you think in the end?