i guess i'm so used to herzog and other weird artsy directors now though that i can't really remember what it's like to approach something like aguirre for the first time. but i don't get how you can be underwhelmed by something so ridiculously otherworldly and singular; a film with one of the craziest lead performances ever, arguably the greatest soundtrack ever, basically the same plot as apocalypse now 'cept even more intense and wild, etcetc. just don't get it. the opening and closing scenes are masterpieces in themselves, whole thing's amazingly gorgeous to look at - not pretty, but that wild, savage beauty that herzog's made his own. the incredible amount of bizarre and hilarious stories behind the making of the film are absolutely ridiculous - it was shot on one stolen camera?! he stole the monkeys by pretending to be a vet?! kinski shot one of the extras?! herzog pulled a gun on kinski to prevent him from walking out?! i mean there's just so much to be fascinated by even if somehow you aren't hypnotised by the atmosphere and strange, oddly tragic narrative.