Obviously the sequel picks up on this with "Sulaco" and the colonialism plotline, but it doesn't manage to dredge up real horror like the first film (again, in my opinion). Alien comes closest to the heart of darkness.
So, I just watched Dark Places, anyone seen it? Quite good, but I mean it is hard not to approve of a movie where the characters listen to Ample Destruction! And also have Celtic Frost, Dio and Mercyful Fate posters on the walls!
Yet Findlay herself has rejected attempts to revive her status as a feminist filmmaker. Declaring in the 1970s “no interest in women’s lib”, she has since belittled the ‘rescuing’ of her reputation as any kind of feminist innovator. “I did that once,” she told J.R. Taylor. “It was so embarrassing. I went out around ’88 or ’90 with some X-rated film…under the pretence – their pretence – that I was some kind of artist/feminist. Nonsense. I don’t know why I did it. It was very silly, but if that’s what I’m supposed to be, fine, as long as I get paid.”
(By the way, I just noticed your signature. Gotrek and Felix rocks.)
I have. Honestly, they're one of the best duos in fantasy. However, I didn't fully get into it when I was reading the First Omnibus until Daemonslayer officially had me sold on the series. That being said, many of the stories in Trollslayer were really good and developed the characters by a significant amount. Especially Felix.Ha! I don't think I saw this before. Have you read them all?
I have. Honestly, they're one of the best duos in fantasy. However, I didn't fully get into it when I was reading the First Omnibus until Daemonslayer officially had me sold on the series. That being said, many of the stories in Trollslayer were really good and developed the characters by a significant amount. Especially Felix.
Today, we’re celebrating iconic Italian filmmaker Michelangelo Antonioni on what would have been his 104th birthday. A pioneering force in European cinema in the sixties, Antonioni won international acclaim for his breathtaking portraits of urban alienation and ennui. Marked by enigmatic narrative structures, languid atmosphere, and haunting visual compositions, Antonioni’s films continue to challenge audiences and influence contemporary filmmakers as disparate as Martin Scorsese, Michael Haneke, and Tsai Ming-liang. In honor of this master, we’ve gathered a selection of essays and videos that we’ve published that explore his legacy:
I saw Hell or High Water yesterday.
Pretty good storytelling overall. The movie took it's time unfurling the storyline and when necessary punched it up with some action. The performances from Jeff Bridges and Chris Pine were outstanding. And despite the overall seriousness of the plot, there were some moments of hilarity. If you see the movie, watch the scene in the T-Bone Café. I laughed my ass off. Overall, I gave it a 7 out of 10 on IMDB.