The thread where you talk about non-metal music you like.

[Burkhard]

 

[SonOfNun]

 

[CiG]

Taj Mahal rules. One of the biggest underrated 60's blues guys. His backing band around this period was insane too.

 

[dvzk-cece]

pretty banger power noise/industrial techno combo. good to drone out and dance/work out to.

 

[SonOfNun]

 

[CiG]

The new SG Lewis album is shaping up to be a beast! Can't wait to hear the whole thing. Nu-disco lately is crushing it as a genre.

 

[CiG]

 

[SonOfNun]

The new SG Lewis album is shaping up to be a beast! Can't wait to hear the whole thing. Nu-disco lately is crushing it as a genre.

Who knew that was even a thing? I like the last song.

 

[CiG]

Damn rest in peace Coolio!

 

[Burkhard]

Sounds pretty lame compared to their Lemmy-era:

 

[CiG]

 

[dvzk-cece]

new paramore?

 

[CiG]

R.I.P. Loretta Lynn.

 

[no country for old wainds]

fuckin’ A, he’s been teasing it all week. it’s the Future album we’ve been waiting for, the conclusion to the trilogy. first song is 40 minutes long with an accompanying film. good to see ‘no one’ is back for another encore.

 

[CiG]

The new Xysma song sounds like Udo singing in a ACDC tribute band.

 

[Bloopy]

Listening to Björk's latest. Bit soft for me as expected, but weird enough at times!

 

[Burkhard]

 

[CiG]

Nostalgic.

 

[RadicalThrasher]

@TechnicalBarbarity , @CiG ....needed a boost today

 

[no country for old wainds]

"Where Peasant and 2020 dealt with the past and present, The Ruby Cord is set in a future, a dystopian world finding its feet after a complete societal collapse. Dawson’s new world is part pagan folk horror, part glitch-ridden sci-fi. The very fabric of life seems to have taken on a hallucinatory warp, something that Dawson makes expressly clear in the sheer unadulterated strangeness of the album’s opening track, The Hermit. All forty-one minutes of it. The length alone gives you some clue that this is the most frighteningly ambitious thing he has ever tried. But go beyond the daunting numbers, and you will find a song that is haunting, beautiful and earthy. It is like Richard Jefferies’ proto-sci-fi novel After London, reimagined by Northumberland modernist poet Basil Bunting. The level of detail, the affinity with the natural world and the almost preposterous juxtapositions mark Dawson’s poetic voice out as something utterly unique. It’s impossible to explain exactly what goes on in the song in the space of an album review, but it is worth noting that the song is haunted by a godly Ada (presumably Ada Lovelace) and her slippers, as well as the future and past lives of fungi, a medieval knight/robot hybrid and an astonishing array of animal and bird life."

out tomorrow!